The dramatic instinct in childrenAmerican Institute of Child Life
Science
The dramatic instinct in children
American Institute of Child Life
Child development; Child psychology; Play
In her play with her doll, the little girl learns self-control. Because
to her the doll is as real as her baby brother or sister, she can be
made to feel that she, as its mother, must be a good example and not
lose her temper. Working together with others, in later childhood,
while dramatizing a story or playing a dramatic game, further assists
the child to gain control of self with all its conflicting impulses.
By making work pleasurable, the habit of industry may be rooted
early in the child’s life through the use of the dramatic impulse.
In Education by Plays and Games, G. E. Johnson tells of a father who
succeeded in getting his boys to pick up all the stones in a field
and pile them in one spot, by placing a large stone in the center and
suggesting it as a mark for the boys to pitch stones at.
Mrs. Herts illustrates the character-making power which comes from
performing a noble part in a drama by the following experience:
“We counted the months of careful, patient training well spent when
it served to bring the soul of our boy of an East Side tenement
into points of contact with the soul and spirit of the chivalrous
young prince, and from these points of contact to stimulate him into
action. What has the playing of the character of Edward done for this
boy besides affording him some months of genuine happiness? It has
recovered and strengthened his own will power through the stimulus of
Edward’s will; the boy had lost and so found himself in the joy and
sorrow of the young English prince. The proper direction and control
of his dramatic impulse had brought him into such intimate association
with young Edward, Prince of Wales, that the thrill of Edward’s
valor will forever afterward be unconsciously a part of himself, for
something struggling in his starved soul has demanded and received
expression. In the last act of the drama, when the young prince, in
the rags of Tom Canty, the pauper, makes sturdy claim to his righteous
throne, it was good to see this youth of the streets raise his hand
with natural dignity, and, when Lord Seymour, with selfish motive,
would oppose him, cry out, ‘Hold, Lord Seymour, and stand not in the
way when God brings right!’”
Public-domain text, read in full here on John Shaqi.
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