The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the WiseLessing, Gotthold Ephraim
General
The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the Wise
Lessing, Gotthold Ephraim
German drama -- Translations into English
To speak more intelligibly. When I undertook the business, Emilia knew
nothing of the Prince's attachment. Her mother just as little. How if I
formed my foundation upon this circumstance, and in the meantime the
Prince was undermining my edifice?
PRINCE (_striking his forehead_).
Damnation!
MARINELLI.
How, if he himself betrayed his intentions?
PRINCE.
Cursed interposition!
MARINELLI.
For had he not so behaved himself I should like to know what part of my
plan could have raised the least suspicion in the mind of the mother or
the daughter?
PRINCE.
You are right.
MARINELLI.
And therein I certainly am very wrong.--Pardon me.
Scene II.
Battista, The Prince, Marinelli.
_Enter_ BATTISTA (_hastily_).
The Countess is arrived.
PRINCE.
The Countess? What Countess?
BATTISTA.
Orsina!
PRINCE.
Orsina? Marinelli!
MARINELLI.
I am as much astonished as yourself.
PRINCE (_to_ Battista).
Go--run--Battista. She must not alight. I am not here--not here to her.
She must return this instant. Go, go. (_Exit_ Battista). What does the
silly woman want? How dares she take this liberty? How could she know
that we were here? Is she come as a spy? Can she have heard anything?
Oh, Marinelli, speak, answer me. Is the man offended, who vows he is my
friend--offended by a paltry altercation? Shall I beg pardon?
MARINELLI.
Prince, as soon as you recover yourself, I am yours again, with my
whole soul. The arrival of Orsina is as much an enigma to me as to you.
But she will not be denied. What will you do?
PRINCE.
I will not speak to her. I will withdraw.
MARINELLI.
Right! Do so instantly; I will receive her.
PRINCE.
But merely to dismiss her. No more. We have other business to perform.
MARINELLI.
Not so, not so. Our other things are done. Summon up resolution and all
deficiencies will be supplied. But do I not hear her? Hasten, Prince.
In that room (_pointing to an adjoining apartment, to which the_ Prince
_retires_)--you may, if you please, listen to our conversation. She
comes, I fear, at an unpropitious moment for her.
Scene III.
The Countess Orsina, Marinelli.
ORSINA (_without perceiving_ Marinelli).
Public-domain text, read in full here on John Shaqi.
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