The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the Wise — John Shaqi
The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the WiseLessing, Gotthold Ephraim
General
The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the Wise
Lessing, Gotthold Ephraim
German drama -- Translations into English
_Transeat cum cæteris erroribus_, Lessing might again have written when
he returned to Germany in December. He hastened to Vienna to learn news
of his beloved, and there a whole packet of her letters were put into
his hands--those letters the want of which had preyed upon his heart.
He was now more fully determined than ever to bring matters to a
crisis; if the Brunswick Court would not improve his position he would
seek employment elsewhere; at the very worst he could not fare worse
than he was at present faring. His resolution triumphed, his salary was
raised, his position improved, and on the 8th of October, 1776, he was
at last united to the woman of his choice.
Then followed a very heyday of happiness to Lessing; he was at last
content, at peace; his wife understood him and felt with him; she was
his stay, his pride, his joy. But once more the evil fate was at work,
and could not permit of ease to this poor victim she pursued so
relentlessly. Early in January (1778) Lessing saw his wife and baby boy
laid in the grave. The brief sunshine which had illumined his path had
vanished for ever.
The letters written by him at the time are more pathetic in their stoic
brevity than folios of lamentations. There were no further hopes of
happiness for him on earth; he must just resign himself and work on at
his appointed labour until he too should be laid to rest. He turned
with an ardour that was almost furious to encounter the assailants of
his last literary publication. Since his appointment as Wolfenbüttel
librarian Lessing had from time to time published some of its
manuscript treasures, and among these he had inserted portions of a
work that had been intrusted to him, and which he deemed ought not to
be withheld from the light of day. These were the famous Wolfenbüttel
Fragments issued anonymously by Lessing, but really the work of a
deceased Hamburger, Professor Reimarus. Their publication drew down
upon Lessing a fury of rancorous abuse, and involved him in a vortex of
controversy that lasted till his death. The chief and most vehement of
his opponents was Pastor J. M. Goeze, whose insulting polemic reached
him by the bedside of his dying wife. Its malignant and unjustified
attacks roused Lessing's energy. He assailed Goeze with all the
strength of his grief, for which he was thankful to find a safety-valve
in controversy. The work of Reimarus had advocated rationalism; Lessing
had distinctly placed himself in position of editor, and pronounced
that he did not of necessity subscribe to the opinions therein
enunciated, but he found in their reasoning much food for thought, and
with his almost romantic passion for truth he deemed that such matter
should not be withheld from the world. Goeze chose to consider that
Lessing was sailing under false colours, that the fragments were his
own composition, and that he was undermining the national faith.
Lessing replied to Goeze's insults by a series of fourteen letters,
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account