The second volume will be found to consist entirely of comedies, arranged according to the date of composition; and as it happens that all these comedies, with the exception of the last and best, 'Minna von Barnhelm,' were written before he published any more serious dramatic composition, we have, by reversing the order of the first two volumes, an almost exactly chronological view of Lessing's dramatic work. The later section of it has been placed at the commencement of the series, simply because it was more convenient to include in it the introductory notice which Miss Zimmern kindly consented to write. York Street, Covent Garden. _June_ 1878. CONTENTS. Memoir Miss Sara Sampson Philotas Emilia Galotti Nathan The Wise LESSING. Since Luther, Germany has produced no greater or better man than Gotthold Ephraim Lessing; these two are Germany's pride and joy. This is the witness of Heine, and with Goethe in memory, none would pronounce the statement too bold. Luther and Lessing are Germany's representative men; each inaugurates an epoch the very existence of which would not have been possible without him. Nor is this the only point of analogy. Lessing was the Luther of the eighteenth century. Like Luther, Lessing is distinguished by earnestness, ardour, true manliness, fierce hatred of dissimulation, largeness of mind, breadth, and profundity of thought. Like Luther, he stands in history a massive presence whereon the weak may lean. Like Luther, he led the vanguard of reform in every department of human learning into which he penetrated. Like Luther, he was true to every conviction, and did not shrink from its expression. Like Luther, he could have said, "I was born to fight with devils and storms, and hence it is that my writings are so boisterous and stormy." Like Luther, he became the founder of a new religion and of a new German literature. And again, like Luther, his life labours were not for Germany alone, but spread over all Europe; and few of us know how much of our present culture we owe directly or indirectly to Lessing's influence. In this country he has not been sufficiently known. Up to the present, his name has been familiar to Englishmen only as the author of the 'Laokoon,' 'Nathan the Wise,' and, possibly also, of 'Minna von Barnhelm.' In knowing these, we certainly know the names of some of his masterpieces, but we cannot thence deduce the entire cause of the man's far-spreading influence.