The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the WiseLessing, Gotthold Ephraim
General
The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the Wise
Lessing, Gotthold Ephraim
German drama -- Translations into English
NORTON.
Ah, let me dress you and don't ask.
MELLEFONT.
Confound it! Are _your_ reproofs then to awaken together with my
conscience? I understand you; I know on whom you expend your pity. But
I will do justice to her and to myself. Quite right, do not have any
pity on me! Curse me in your heart; but--curse yourself also!
NORTON.
Myself also?
MELLEFONT.
Yes, because you serve a miserable wretch, whom earth ought not to
bear, and because you have made yourself a partaker in his crimes.
NORTON.
I made myself a partaker in your crimes? In what way?
MELLEFONT.
By keeping silent about them.
NORTON.
Well, that is good! A word would have cost me my neck in the heat of
your passions. And, besides, did I not find you already so bad, when I
made your acquaintance, that all hope of amendment was vain? What a
life I have seen you leading from the first moment! In the lowest
society of gamblers and vagrants--I call them what they were without
regard to their knightly titles and such like--in this society you
squandered a fortune which might have made a way for you to an
honourable position. And your culpable intercourse with all sorts of
women, especially with the wicked Marwood----
MELLEFONT.
Restore me--restore me to that life. It was virtue compared with the
present one. I spent my fortune; well! The punishment follows, and I
shall soon enough feel all the severity and humiliation of want. I
associated with vicious women; that may be. I was myself seduced more
often than I seduced others; and those whom I did seduce wished it.
But--I still had no ruined virtue upon my conscience. I had carried off
no Sara from the house of a beloved father and forced her to follow a
scoundrel, who was no longer free. I had----who comes so early to me?
Scene IV.
Betty, Mellefont, Norton.
NORTON.
It is Betty.
MELLEFONT.
Up already, Betty? How is your mistress?
BETTY.
How is she? (_sobbing_.) It was long after midnight before I could
persuade her to go to bed. She slept a few moments; but God, what a
sleep that must have been! She started suddenly, sprang up and fell
into my arms, like one pursued by a murderer. She trembled, and a cold
perspiration started on her pale face. I did all I could to calm her,
but up to this morning she has only answered me with silent tears. At
length she sent me several times to your door to listen whether you
were up. She wishes to speak to you. You alone can comfort her. O do
so, dearest sir, do so! My heart will break, if she continues to fret
like this.
MELLEFONT.
Public-domain text, read in full here on John Shaqi.
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