The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the Wise — John Shaqi
The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the WiseLessing, Gotthold Ephraim
General
The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the Wise
Lessing, Gotthold Ephraim
German drama -- Translations into English
there had awakened a sense of this national degradation, and some
princes and nobles formed themselves into a society to suppress the
fashionable Gallicisms and reinstate the people's language. Their
efforts met with some little success, but their powers were too
limited, and their attempts too artificial and jejune to exert any
considerable influence either in the direction of conservation or of
reform. It needed something stronger, bolder, to dispel the apathy of a
century. Still these associations, known as the two Silesian schools,
bore their part in sowing the good seed, and though most of it fell on
stony ground, because there was little other ground for it whereon to
fall, still some fell on fruitful earth, and brought forth in due
season. An excessive interest in French literature was opposed by an
equal interest in English literature. The adherents of these two
factions formed what was known as the Swiss and Leipzig schools. They
waged a fierce paper warfare, that had the good effect of once more
attracting popular attention to the claims of letters, as well as
showing the people that in French manners, French language, and French
literature, the Alpha and Omega of culture need not of necessity be
sought. The leader of the Leipzig faction, who stood by the French, was
Gottsched, a German professor of high pretensions and small merits, who
put his opponents on their mettle by his pedantic and arrogant attacks.
He had instituted himself a national dictator of good taste, and for a
long time it seemed probable that he and his party would triumph. His
ultimate defeat was accomplished by Lessing, whose early boyhood was
contemporaneous with the fiercest encounters of these antagonists. It
was he who gave the death-blow to their factious disputes, and referred
the nation back to itself and its own national glory and power. He
found Germany without original literature, and, before his short life
was ended, the splendid genius of Goethe shed its light over the land.
Who and what was the man who effected so much?
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