The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the WiseLessing, Gotthold Ephraim
General
The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the Wise
Lessing, Gotthold Ephraim
German drama -- Translations into English
Does she not appear such, even from Lady Solmes's description? Well,
Madam, you are her friend, perhaps her intimate friend. I do not say
this as a reproach, for it may well be that it is hardly possible in
this world to have virtuous friends only. Yet why should I be so
humiliated for the sake of this friendship of yours? If I had had
Marwood's experience, I should certainly not have committed the error
which places me on such a humiliating level with her. But if I had
committed it, I should certainly not have continued in it for ten
years. It is one thing to fall into vice from ignorance; and another to
grow intimate with it when you know it. Alas, Madam, if you knew what
regret, what remorse, what anxiety my error has cost me! My error, I
say, for why shall I be so cruel to myself any longer, and look upon it
as a crime? Heaven itself ceases to consider it such; it withdraws my
punishment, and gives me back my father.--But I am frightened, Madam;
how your features are suddenly transformed! They glow-rage speaks from
the fixed eye, and the quivering movement of the mouth. Ah, if I have
vexed you, Madam, I beg for pardon! I am a foolish, sensitive creature;
what you have said was doubtless not meant so badly. Forget my
rashness! How can I pacify you? How can I also gain a friend in you as
Marwood has done? Let me, let me entreat you on my knees (_falling down
upon her knees_) for your friendship, and if I cannot have this, at
least for the justice not to place me and Marwood in one and the same
rank.
MARWOOD (_proudly stepping back and leaving Sara on her knees_).
This position of Sara Sampson is too charming for Marwood to triumph in
it unrecognised. In me, Miss Sampson, behold the Marwood with whom on
your knees you beg--Marwood herself--not to compare you.
SARA (_springing up and drawing back in terror_).
You Marwood? Ha! Now I recognise her--now I recognise the murderous
deliverer, to whose dagger a warning dream exposed me. It is she! Away,
unhappy Sara! Save me, Mellefont; save your beloved! And thou, sweet
voice of my beloved father, call! Where does it call? Whither shall I
hasten to it?--here?--there?--Help, Mellefont! Help, Betty! Now she
approaches me with murderous hand! Help! (_Exit_.)
Scene IX.
MARWOOD.
Public-domain text, read in full here on John Shaqi.
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