The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the WiseLessing, Gotthold Ephraim
General
The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the Wise
Lessing, Gotthold Ephraim
German drama -- Translations into English
Do not reproach yourself for your weakness, nor give me credit for that
which is only my duty. When you remind me of my pardon, you remind me
also of my hesitation in granting it. Why did I not forgive you at
once? Why did I reduce you to the necessity of flying from me. And this
very day, when I had already forgiven you, what was it that forced me
to wait first for an answer from you? I could already have enjoyed a
whole day with you if I had hastened at once to your arms. Some latent
spleen must still have lain in the innermost recesses of my
disappointed heart, that I wished first to be assured of the
continuance of your love before I gave you mine again. Ought a father
to act so selfishly? Ought we only to love those who love us? Chide me,
dearest Sara! Chide me! I thought more of my own joy in you than of you
yourself. And if I were now to lose this joy? But who, then, says that
I must lose it? You will live; you will still live long. Banish all
these black thoughts! Mellefont magnifies the danger. He put the whole
house in an uproar, and hurried away himself to fetch the doctors, whom
he probably will not find in this miserable place. I saw his passionate
anxiety, his hopeless sorrow, without being seen by him. Now I know
that he loves you sincerely; now I do not grudge him you any longer. I
will wait here for him and lay your hand in his. What I would otherwise
have done only by compulsion, I now do willingly, since I see how dear
you are to him. Is it true that it was Marwood herself who caused you
this terror? I could understand this much from your Betty's
lamentations, but nothing more. But why do I inquire into the causes of
your illness, when I ought only to be thinking how to remedy it. I see
you growing fainter every moment, I see it and stand helplessly here.
What shall I do, Waitwell? Whither shall I run? What shall I give her?
My fortune? My life? Speak!
SARA.
Dearest father! all help would be in vain! The dearest help, purchased
with your life, would be of no avail.
Scene X.
Mellefont, Sara, Sir William, Waitwell.
MELLEFONT.
Do I dare to set my foot again in this room? Is she still alive?
SARA.
Step nearer, Mellefont!
MELLEFONT.
Am I to see your face again? No, Sara; I return without consolation,
without help. Despair alone brings me back. But whom do I see? You,
Sir? Unhappy father! You have come to a dreadful scene! Why did you not
come sooner? You are too late to save your daughter! But, be comforted!
You shall not have come too late to see yourself revenged.
SIR WILLIAM.
Do not remember in this moment, Mellefont, that we have ever been at
enmity! We are so no more, and we shall never be so again. Only keep my
daughter for me, and you shall keep a wife for yourself.
Public-domain text, read in full here on John Shaqi.
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