The Dramatic Works of Gerhart Hauptmann, Volume IHauptmann, Gerhart
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The Dramatic Works of Gerhart Hauptmann, Volume I
Hauptmann, Gerhart
German drama -- Translations into English
If we can eat grass he may eat sawdust.
WITTIG
We'll hang him when we catch him.
FIRST YOUNG WEAVER
We'll take him by the legs and fling him out at the window, on to the
stones. He'll never get up again.
SECOND YOUNG WEAVER
[_Enters._] He's off!
ALL
Who?
SECOND YOUNG WEAVER
Dreissiger.
BECKER
Pfeifer too?
VOICES
Let's get hold o' Pfeifer! Look for Pfeifer!
BAUMERT
Yes, yes! Pfeifer! Tell him there's a weaver here for him to starve.
[_Laughter._
JAEGER
If we can't lay hands on that brute Dreissiger himself ... we'll make him
poor!
BAUMERT
As poor as a church mouse ... we'll see to that!
[_All, bent on the work of destruction, rush towards the drawing-room
door._
BECKER
[_Who is leading, turns round and stops the others._] Halt! Listen to me!
This is nothing but a beginnin'. When we're done here, we'll go straight
to Bielau, to Dittrich's, where the steam power-looms is. The whole
mischief's done by them factories.
OLD ANSORGE
[_Enters from hall. Takes a few steps, then stops and looks round,
scarcely believing his eyes; shakes his head, taps his forehead._] Who am
I? Weaver Anton Ansorge. Has he gone mad, Old Ansorge? My head's goin'
round like a humming-top, sure enough. What's he doin' here. He'll do
whatever he's a mind to. Where is Ansorge? [_He taps his forehead
repeatedly._] Something's wrong! I'm not answerable! I'm off my head! Off
with you, off with you, rioters that you are! Heads off, legs off, hands
off! If you takes my house, I takes your house. Forward, forward!
[_Goes yelling into the drawing-room, followed by a yelling, laughing
mob._
END OF THE FOURTH ACT
FIFTH ACT
_Langen-Bielau,--OLD WEAVER HILSE'S workroom. On the left a small
window, in front of which stands the loom. On the right a bed, with a
table pushed close to it. Stove, with stove-bench, in the right-hand
corner. Family worship is going on. HILSE, his old, blind, and almost
deaf wife, his son GOTTLIEB, and LUISE, GOTTLIEB'S wife, are sitting
at the table, on the bed and wooden stools. A winding-wheel and
bobbins on the floor between table and loom. Old spinning, weaving,
and winding implements are disposed of on the smoky rafters; hanks of
yarn are hanging down. There is much useless lumber in the low narrow
room. The door, which is in the back wall, and leads into the big
outer passage, or entry-room of the house, stands open. Through
another open door on the opposite side of the passage, a second, in
most respects similar weaver's room is seen. The large passage, or
entry-room of the house, is paved with stone, has damaged plaster,
and a tumble-down wooden stair-case leading to the attics; a
washing-tub on a stool is partly visible; linen of the most miserable
description and poor household utensils lie about untidily. The light
falls from the left into all three apartments._
Public-domain text, read in full here on John Shaqi.
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