The Dramatic Works of Gerhart Hauptmann, Volume IHauptmann, Gerhart
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The Dramatic Works of Gerhart Hauptmann, Volume I
Hauptmann, Gerhart
German drama -- Translations into English
[_Following the child with her eyes._] No, that boy, I could just sit an'
look at him. I don't know, when I see a boy like that ... [_She takes up
a corner of her apron and wipes her eyes._] ... I feel as if I had to
howl right out.
FLEISCHER
Did you have a boy like that once?
MRS. WOLFF
That I had. But what's the use o' all that. You can't make people come
back to life. You see--things like that--that's life....
_A pause._
FLEISCHER
One can't be careful enough with children,
MRS. WOLFF
You can go an' be as careful as you want to be. What is to be, will be.
[_A pause.--Shaking her head._] What trouble did you have with Mr. Motes?
FLEISCHER
I? None at all! What trouble should I have had with him?
MRS. WOLFF
Oh, I was just thinkin'.
FLEISCHER
How old is your daughter anyhow?
MRS. WOLFF
She'll be out o' school this Easter. Why? Would you like to have her? I
wouldn't mind her goin' into service if it's with you.
FLEISCHER
I don't see why not. That wouldn't be half bad.
MRS. WOLFF
She's grown up to be a strong kind o' body. Even if she is a bit young,
she c'n work most as well as any one, I tell you. An' I tell you another
thing. She's a scamp now an' then; she don't always do right. But she
ain't no fool. That girl's got genius.
FLEISCHER
That's quite possible, no doubt.
MRS. WOLFF
You just let her go an' recite a single piece for you--just once--a pome,
or somethin'. An' I tell you, Doctor, you ain't goin' to be able to get
through shiverin'. You c'n possibly call her in some day when you got
visitors from Berlin. All kinds o' writers comes to your house, I
believe. An' she ain't backward; she'll sail right in. Oh, she does say
pieces _that_ beautiful.--[_With a sudden change of manner._] Now I want
to give you a bit o' advice; only you musn't be offended.
FLEISCHER
I'm never offended by good advice.
MRS. WOLFF
First thing, then: Don't give away so much. Nobody ain't goin' to thank
you for it. You don't get nothin' but ingratitude.
FLEISCHER
Why, I don't give away very much, Mrs. Wolff.
MRS. WOLFF
That's all right, I know. An' the more you talk, the more scared people
gets. First thing they says: that's a demercrat. Yon can't be too careful
talkin'.
FLEISCHER
In what way am I to take all that, Mrs. Wolff?
MRS. WOLFF
Yon c'n go an' you c'n think what you please. But you gotta be careful
when it comes to talkin', or you sit in gaol before you know it.
FLEISCHER
[_Turns pale._] Well, now, look here, but that's nonsense, Mrs. Wolff.
MRS. WOLFF
No, no. I tell you that's serious. An' be careful o' that feller,
whatever you do!
FLEISCHER
Whom do you mean by that?
MRS. WOLFF
The same man we was talkin' about a while ago.
FLEISCHER
Motes, you mean?
MRS. WOLFF
I ain't namin' no names. You must ha' had some kind o' trouble with that
feller.
FLEISCHER
I don't even associate with him any longer.
MRS. WOLFF
Well, you see, that's just what I've been think-in'.
FLEISCHER
Public-domain text, read in full here on John Shaqi.
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