The Dramatic Works of Gerhart Hauptmann, Volume IHauptmann, Gerhart
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The Dramatic Works of Gerhart Hauptmann, Volume I
Hauptmann, Gerhart
German drama -- Translations into English
[_Quickly._] No, never mind, Edward, that'll break.
RAUCHHAUPT
Then you c'n just lean it against the wall.
MRS. FIELITZ
So you got through with it at last. [_Calls out through the door._]
Leontine! You come down a minute!
RAUCHHAUPT
Trouble is I had so much to do. I'm buildin' a new hot house, you know.
MRS. FIELITZ
Another one, eh? Ain't that a man for you! You're a reg'lar mole,
Rauchhaupt. The way that man keeps diggin' around in the ground.
RAUCHHAUPT
A man feels best when he's doin' that. That's what we're all made
of--earth: an that's what we're all goin' to turn to again. Why shouldn't
we be diggin' around in the earth? [_He helps himself from the snuff-box
which FIELITZ holds out to him._] That's got a earthy smell, too,
Fielitz. That smells like good, fresh earth.
_LEONTINE enters. A pair of scissors hangs by her side; she has a
thimble on her finger._
LEONTINE
Here I am, mama. What's up?
MRS. FIELITZ
He just brought in papa his hephitaph.
_LEONTINE and MRS. FIELITZ regard the cross thoughtfully._
MRS. FIELITZ
Light the candle for me, girl. [_She hands her the tallow-candle with
which she has been experimenting._] We wants to study the writin' a bit.
RAUCHHAUPT
I fooled around with that thing a whole lot. But I got it to please me in
the end. You c'n go an' look through the whole cemetery three times over
and you'll come away knowin' this is the finest inscription you c'n get.
I went an' convinced myself of that.
[_He sits down on the low platform and fills his nose anew with
snuff._
_MRS. FIELITZ holds the lighted lamp and puzzles out the
inscription._
MRS. FIELITZ
Here rests in ...
LEONTINE
[_Reading on._] In God.
RAUCHHAUPT
That's what I said: in God. I was goin' to write first: in the Lord. But
that's gettin' to be so common.
MRS. FIELITZ
[_Reads on with trembling voice._] Here rests in God the unforgotten
carpenter ... [_Weeping aloud._] Oh, no, I tell you, it's too awful! That
man--he was the best man in the world, he was. A man like that, you c'n
take my word for it, you ain't likely to find no more these days.
LEONTINE
[_Reading on._] ... the unforgotten carpenter Mr. Julian Wolff ...
[_She snivels._
FIELITZ
--Don't you be takin' on now, y'understand? No corpse ain't goin' to come
to life for all your howlin'. [_He hands the whiskey bottle to
RAUCHHAUPT._] Here, Edward, that'll do you good. Them goin's on don't.
[_He gets up and brushes off his blue apron with the air of a man who
has completed his day's work._
RAUCHHAUPT
[_Pointing with the bottle._] Them lines there I made up myself. I'll say
'em over for you; listen now:
"The hearts of all to sin confess" ...
'Tain't everybody c'n do that neither!--
"The hearts of all to sin confess,
The beggar's and the king's no less.
But this man's heart from year to year
Was spotless and like water clear."
Public-domain text, read in full here on John Shaqi.
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