The Dramatic Works of Gerhart Hauptmann, Volume IHauptmann, Gerhart
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The Dramatic Works of Gerhart Hauptmann, Volume I
Hauptmann, Gerhart
German drama -- Translations into English
I don't know! I s'ppose I ain't got sense enough for them things. I
thought I'd get hold o' a bit o' money ... I thought I'd be able to lay
out a bit o' money! Buildin' a little annex of a shop--that's good fun. I
thought it all out to myself like--with nice shelves and things like that
... an' I planned to hang up a big clock an' such. An' now you sit on
your money bag like an old watch dog.
MRS. FIELITZ
That money--it ain't to be thrown away so easy. 'Twas earned too bitter
hard for that.
FIELITZ
... You forgets that I've been in trouble before. Is I to go an' get
locked up again?
MRS. FIELITZ
Never mind, Fielitz, to-morrow is another day. A person mustn't go an'
take things that serious! I was more'n half jokin' anyhow.--Go over to
Grabow's an' drink a glass o' beer!... We must all be satisfied's best we
can. An' even if you can't go an' open a shoe shop, an' even if you gotta
worry along cobblin' an' can't buy no clock--well, a good conscience is
worth somethin' too.
THE CURTAIN FALLS
THE SECOND ACT
_The smithy of LANGHEINRICH. The little house protrudes at an angle
into the village street. The shed that projects over the smithy is
supported by wooden posts. The empty space below the shed is used for
the storage of tools and materials. Wheels are leaned against the
wood, a plough, wheel-tyres, pieces of pig iron, etc. An anvil stands
in the open, too, and several working stools. From behind the house,
jutting out diagonally, a wooden wagon is visible. The left front
wheel has been taken off and a windlass supports the axle._
_Through the door that leads to the shop one sees smithy fires and
bellows._
_Opposite the smithy, on the left side of the village street which,
taking a turn, is lost to view in the background, there is a board
fence. A small locked gate opens upon the street._
_A cloudy, windy day._
_DR. BOXER, in a slouch hat and light overcoat, stands holding a
heavy smith's hammer at arm's length. EDE has a horseshoe in his
right hand, a smaller hammer in his left, and is looking on._
EDE
[_Counts._] ... twenty-two, twenty-three, twenty-four an' one makes
twenty-five an' another makes twenty-six.--Great guns, you're ahead o' me
now. An' twenty-seven, an' twenty-eight, an' twenty-nine an' thirty. My
respects, Doctor. That's all right. Is that the effect o' the sea air?
DR. BOXER
It may be. You see I haven't quite forgotten the trick.
EDE
No, you haven't. That's pretty good. Now let's try it with weights,
though. I c'n hold up a hundred an' fifty pounds, Doctor. How about
yourself?
DR. BOXER
I don't know. It remains to be seen.
EDE
What? You think you c'n lift a hundred weight an' a half? You're a little
bit of a giant, ain't you? You didn't learn that on board ship. I thought
you travelled as a sawbones an' not as a strong man!--Look at that little
man over there goin' into Mrs. Fielitz' house. That's her son-in-law.
DR. BOXER
Public-domain text, read in full here on John Shaqi.
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