The Dramatic Works of Gerhart Hauptmann, Volume IIHauptmann, Gerhart
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The Dramatic Works of Gerhart Hauptmann, Volume II
Hauptmann, Gerhart
German drama -- Translations into English
[_Quite calmly._] Would you mind telling me, if possible, who has been
treading on your corns?
HASSENREUTER
My boy, it's scarcely an hour since I had my legs under the same table
with a prince; _post hoc, ergo propter hoc!_--On your account I got into
a confounded bus and drove out to this, confounded bole, and so ... if
you don't know how to value my kindness, you can get out!
JETTEL
You made an appointment with use for four o'clock. Then you let me wait
one solid hour in this horrible tenement, in these lovely halls with
their filthy brats! Well, I waited and didn't address the slightest
reproach to you. And now you have the good taste and the good manners to
use me as a kind of a cuspidor!
HASSENREUTER
My boy ...
JETTEL
The devil! I'm not your boy! You seem to be kind of a clown that I ought
to force to turn sommersaults for pennies!
[_Highly indignant, he picks up his hat and cane and goes._
HASSENREUTER
[_Starts, breaks out into boisterous laughter and then calls out after
JETTEL:_] Don't make yourself ridiculous! And, anyhow, I'm not a
costumer!
_The slamming of the outer door is heard._
HASSENREUTER
[_Pulls out his watch._] The confounded idiot! The damned mutton
head.--It's a blessing the ridiculous ass went! [_He puts the match back
into his pocket, pulls it out again at once and listens. He walks
restlessly to and fro, then stops, gases into his top-hat, which contains
a mirror, and combs his hair carefully. He walks over to the middle door
and opens a few of the letters that lie heaped up there. At the same time
he sings in a trilling voice:_
"O Strassburg, O Strassburg,
Thou beautiful old town."
_Once more he looks at his watch. Suddenly the doorbell at his head
rings._] On the minute! Ah, but these little girls can be punctual when
they really care about it! [_He hurries out into the hall and is heard to
extend a loud and merry welcome to someone. The trumpet notes of his
voice are soon accompanied by the bell-like tones of a woman's speaking.
Very soon he reappears, at his side an elegant young lady, ALICE
RUeTTERBUSCH._]--Alice! My little Alice! Come here where I can see you,
little girl! Come here into the light! I must see whether you're the same
infinitely delightful, mad little Alice that you were in the great days
of my career in Alsace? Girl, it was I who taught you to walk! I held
your leading strings for your first steps. I taught you how to talk,
girl! The things you said! I hope you haven't forgotten!
ALICE RUeTTERBUSCH
Now, look here! You don't believe that I'm an ungrateful girl?
HASSENREUTER
[_Draws up her veil._] Why, girlie, you've grown younger instead of
older.
ALICE RUeTTERBUSCH
[_Flushed with delight._] Well, a person would just have to be like
everything to say that you had changed to your disadvantage! But, do you
know--it's awful dark up here really and--Harro, maybe you wouldn't mind
opening a window a little--oh, the air's a bit heavy, too,
HASSENREUTER
Public-domain text, read in full here on John Shaqi.
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