The Dramatic Works of Gerhart Hauptmann, Volume IIHauptmann, Gerhart
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The Dramatic Works of Gerhart Hauptmann, Volume II
Hauptmann, Gerhart
German drama -- Translations into English
I wish you'd first attended to what you had to an' left your drinkin'
till later.
JOHN
It's easy to say that! But if you're up to them kind o' tricks in your
old age, mother, you can't blame me for bein' reel glad.
MRS. JOHN
All right. You go on to the registry now an' say that your child was
borne by your wife in your dwellin' on the twenty-fifth o' May.
JOHN
Wasn't it on the twenty-sixth? 'Cause I said right along the
twenty-sixth. Then he must ha' noticed that I wasn't quite sober. So he
says: If that's a fac', all right; if not, you gotta come back.
MRS. JOHN
In that case you'd better leave it as it is.
_The door is opened and SELMA KNOBBE pushes in a wretched
perambulator which presents the saddest contrast to MRS. JOHN'S.
Swaddled in pitiful rags a newly born child lies therein._
MRS. JOHN
Oh, no, Selma, comin' into my room with that there sick child--that was
all right before. But that can't be done no more.
SELMA
He just gasps with that cough o' his'n. Over at our place they smokes all
the time.
MRS. JOHN
I told you, Selma, that you could come from time to time and get milk or
bread. But while my little Adelbert is here an' c'n catch maybe
consumption or somethin', you just leave that poor little thing at home
with his fine mother.
SELMA
[_Tearfully._] Mother ain't been home at all yesterday or to-day. I can't
get no sleep with this child. He just moans all night. I gotta get some
sleep sometime! I'll jump outa the window first thing or I'll let the
baby lie in the middle o' the street an' run away so no policeman can't
never find me!
JOHN
[_Looks at the strange child._] Looks bad! Mother, why don't you try an'
do somethin' for the little beggar?
MRS. JOHN
[_Pushing SELMA and the perambulator out determinedly._] March outa this
room. That can't be done, Paul. When you got your own you can't be
lookin' out for other people's brats. That Knobbe woman c'n look after
her own affairs. It's different with Selma. [_To the girl._] You c'n come
in when you want to. You c'n come in here after a while an' take a nap
even.
[_She locks the door._
JOHN
You used to take a good deal o' interest in Knobbe's dirty little brats.
MRS. JOHN
You don' understan' that. I don' want our little Adelbert to be catchin'
sore eyes or convulsions or somethin' like that.
JOHN
Maybe you're right. Only, don't go an' call him Adelbert, mother. That
ain't a good thing to do, to call a child by the same name as one that
was carried off, unbaptised, a week after it was born. Let that be,
mother. I can't stand for that, mother,
_A knocking is heard at the door. JOHN is about to open._
MRS. JOHN
What's that?
JOHN
Well, somebody wants to get in!
MRS. JOHN
[_Hastily turning the key in the lock._] I ain't goin' to have everybody
runnin' in on me now that I'm sick as this. [_She listens at the door and
then calls out:_] I can't open! What d'you want?
A WOMAN'S VOICE
Public-domain text, read in full here on John Shaqi.
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