The Dramatic Works of Gerhart Hauptmann, Volume IIHauptmann, Gerhart
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The Dramatic Works of Gerhart Hauptmann, Volume II
Hauptmann, Gerhart
German drama -- Translations into English
[_Pursuing his argument calmly._] According to my opinion, Goethe with
his senile regulations for actors denied, in the pettiest way, himself
and his whole original nature. What is one to say of his ruling that
every actor, irrespective of the quality of the character represented by
him, must--these are his very words--show an ogre-like expression of
countenance in order that the spectator be at once reminded of the nature
of lofty tragedy. Actually, these are his very words!
_KAeFERSTEIN and KEGEL make an effort to assume ogre-like
expressions._
HASSENREUTER
Get out your note-book, most excellent Spitta, and record your opinion,
please, that Manager Hassenreuter is an ass, that Schiller is an ass,
Goethe an ass, Aristotle, too, of course--[_he begins suddenly to laugh
like mad_]--and, ha, ha, ha! a certain Spitta a--night watchman!
SPITTA
I'm glad to see, sir, that, at least, you've recovered your good humour.
HASSENREUTER
The devil! I haven't recovered it at all! You're a symptom. So you
needn't think yourself very important.--You are a rat, so to speak. One
of those rats who are beginning, in the field of politics, to undermine
our glorious and recently united German Empire! They are trying to cheat
us of the reward of our labours! And in the garden of German art these
rats are gnawing at the roots of the tree of idealism. They are
determined to drag its crown into the mire!--Down, down, down into the
dust with you!
_KAeFERSTEIN and KEGEL try to preserve their gravity but soon break
out into loud laughter, which HASSENREUTER is impelled to join.
WALBURGA looks on in wide-eyed astonishment. SPITTA remains serious._
_MRS. JOHN is now seen descending the stairs of the loft. After a
little while QUAQUARO follows her._
HASSENREUTER
[_Perceives MRS. JOHN and points her out to SPITTA with violent
gesticulations as if he had just made an important discovery._] There
comes your tragic Muse!
MRS. JOHN
[_Approaches, abashed by the laughter of HASSENREUTER, KEGEL and
KAeFERSTEIN._] Why, what d'you see about me?
HASSENREUTER
Nothing but what is good and beautiful, Mrs. John! You may thank God that
your quiet, withdrawn and peaceful life unfits you for the part of a
tragic heroine.--But tell me, have you, by any chance, had an interview
with ghosts?
MRS. JOHN
[_Unnaturally pale._] Why do you ax that?
HASSENREUTER
Perhaps you even saw the famous soldier Sorgenfrei who closed his career
above as a deserter into a better world?
MRS. JOHN
If it was a livin' soul, maybe you might be right. But I ain't scared o'
no dead ghosts.
HASSENREUTER
Well, Mr. Quaquaro, how did it look under the roof there?
QUAQUARO
[_Who has brought down with him a Swedish riding-boot._] Well, I took a
pretty good look aroun' an' I came to the conclusion that, at least, some
shelterless ragamuffins has passed the night there; though how they got
in I ain't sayin'. An' then I found this here boot.--
Public-domain text, read in full here on John Shaqi.
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