The Dramatic Works of Gerhart Hauptmann, Volume IIHauptmann, Gerhart
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The Dramatic Works of Gerhart Hauptmann, Volume II
Hauptmann, Gerhart
German drama -- Translations into English
You prove it yourself every time you open your mouth! You deny the whole
art of elocution, the value of the voice in acting! You want to
substitute for both the art of toneless squeaking! Further you deny the
importance of action in the drama and assert it to be a worthless
accident, a sop for the groundlings! You deny the validity of poetic
justice, of guilt and its necessary expiation. You call all that a vulgar
invention--an assertion by means of which the whole moral order of the
world is abrogated by the learned and crooked understanding of your
single magnificent self! Of the heights of humanity you know nothing! You
asserted the other day that, in certain circumstances, a barber or a
scrubwoman might as fittingly be the protagonist of a tragedy as Lady
Macbeth or King Lear!
SPITTA
[_Still pale, polishing his spectacles._] Before art as before the law
all men are equal, sir.
HASSENREUTER
Aha? Is that so? Where did you pick up that banality?
SPITTA
[_Without permitting himself to be disconcerted._] The truth of that
saying has become my second nature. In believing it I probably find
myself at variance with Schiller and Gustav Freytag, but not at all with
Lessing and Diderot. I have spent the past two semesters in the study of
these two great dramaturgic critics, and the whole stilted French
pseudo-classicism is, as far as I'm concerned, utterly destroyed--not
only in creative art itself but in such manifestations as the boundless
folly of the directions for acting which Goethe prescribed in his old
age. These are mere superannuated nonsense.
HASSENREUTER
You don't mean it?
SPITTA
And if the German stage is ever to recuperate it must go back to the
young Schiller, the young Goethe--the author of "Goetz"--and ever again to
Gotthold Ephraim Lessing! There you will find set down principles of
dramatic art which are adapted to the rich complexity of life in all its
fullness, and which are potent to cope with Nature itself!
HASSENREUTER
Walburga! I'm afraid Mr. Spitta is taking us for each other. Mr. Spitta,
you're about to give a lesson! Walburga, you and your teacher are free to
retire to the library.--If human arrogance and especially that of very
young people could be crystallised into one formation--humanity would be
buried under that rock like an ant under the granite masses of an
antediluvian mountain range!
SPITTA
But I wouldn't in any wise be refuted thereby.
HASSENREUTER
Man, I tell you that I've not only passed through two semesters of formal
study, but I have grown grey in the practice of the actor's art! And I
tell you that Goethe's catechism for actors is the alpha and the omega of
my artistic convictions! If you don't like that--get another teacher!
SPITTA
Public-domain text, read in full here on John Shaqi.
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