No one wouldn't believe how many half-starved nincompoops there is among you stoodents. But none o' you wants to put your hand to some reel work.--[_The distant sound of thunder is heard. JOHN looks out through the window._]--Sultry day. It's thunderin' now. SPITTA Yon can't say that of me, Mr. John, that I haven't been willing to do real work. I've given lessons, I've addressed envelopes for business houses! I've been through everything and in all these attempts I've not only toiled away the days but also the nights. And at the same time I've ground away at my studies like anything! JOHN Man alive, go to Hamburg an' let 'em give you a job as a bricklayer. When I was your age I was makin' as much as twelve crowns a day in Hamburg. SPITTA That may be. But I'm a brain worker. JOHN I know that kind. SPITTA Is that so? I don't think you do know that kind, Mr. John. I beg you not to forget that your Socialist leaders--your Bebels and your Liebknechts--are brain workers too. JOHN All right. Come on, then! Let's have some breakfast first. Things look mighty different after a man's had a good bite o' breakfast. I s'pose you ain't had any yet, Mr. Spitta? SPITTA No, frankly, not to-day. JOHN Well, then the first thing is to get somethin' warm down your throat. SPITTA There's time enough for that. JOHN I don' know. You're lookin' pretty well done up. An' I passed the night on the train too. [_To SELMA, who has brought in a little linen bag filed with rolls._] Hurry an' bring another cup over here. [_He has seated himself at his ease on the sofa, dips a roll into the coffee and begins to eat and drink._] SPITTA [_Who has not sat down yet._] It's really pleasanter to pass a summer night in the open if one can't sleep anyhow. And I didn't sleep for one minute. JOHN I'd like to see the feller what c'n sleep when he's outa cash. When a man's down in the world he has most company outa doors too. [_He suddenly stops chewing._]--Come here, Selma, an' tell me exackly just how it was with that there girl an' the child that she took outa our room here. SELMA I don' know what to do. Everybody axes we that. Mama keeps axin' me about it all day long; if I seen Bruno Mechelke; if I know who it was that stole the costumes from the actor's loft up there! If it goes on that way ... JOHN [_Energetically._] Girl, why didn't you cry out when the gentleman and the young lady took your little brother outa his carridge? SELMA I didn't think nothin' 'd happen to him excep' that he'd get some clean clothes. JOHN [_Grasps SELMA by the wrist._] Well, you come along with me now. We'll go over an' see your mother. _JOHN and SELMA leave the room. As soon as they are gone SPITTA begins to eat ravenously. Soon thereafter WALBURGA appears. She is in great haste and strongly excited._ WALBURGA Are you alone? SPITTA For the moment, yes. Good morning, Walburga. WALBURGA