The Dramatic Works of Gerhart Hauptmann, Volume IIHauptmann, Gerhart
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The Dramatic Works of Gerhart Hauptmann, Volume II
Hauptmann, Gerhart
German drama -- Translations into English
Now listen here, Jette! What's gotten into you, anyhow? What is it? Looks
as if there was nothin' but ghosts aroun' me here! You know I has a good
easy temper! When the workmen heave bricks at each other, I don't even
get excited. An' what do they say? Paul has a comfortable nature. But
now: what's this here? The sun's shinin'; it's bright daylight! I can't
_see_ nothin'; that's a fac'. But somethin's titterin' an' whisperin' an'
creepin' aroun' in here. Only when I stretches out my hand I can't lay
hold on nothin'! Now I wants to know what there is to this here story
about the strange girl what came to the room. Is it true?
MRS. JOHN
You heard, Paul, that the young lady didn't come back no more. An' that
shows you, don't it ...
JOHN
I hear what you're sayin'. But your lips is fair blue an' your eyes look
as if somebody was tormentin' you.
MRS. JOHN
[_Suddenly changing her attitude_] Yes. Why do you leave me alone year in
an' year out, Paul? I sits here like in a cave an' I ain't got a soul to
who I c'n say what I'm thinkin'. Many a time I've sat here an' axed
myself why I works an' works, why I skimps an' saves to get together a
few crowns, an' find good investments for your earnin's an' try to add to
'em. Why? Was all that to go to strangers? Paul, it's you who's been the
ruin o' me!
[_She lays her head on the table and bursts out in sobs._
_Softly and with feline stealth BRUNO MECHELKE enters the room at
this moment. He has on his Sunday duds, a sprig of lilac in his hat
and a great bunch of it in his hand. JOHN drums with his fingers on
the window and does not observe him._
MRS. JOHN
[_Has gradually realised BRUNO'S presence as though he were a ghost._]
Bruno, is that you?
BRUNO
[_Who has recognised JOHN in a flash, softly._] Sure, it's me, Jette.
MRS. JOHN
Where d'you come from? What d'you want?
BRUNO
I been dancin' all night, Jette! You c'n see, can't you, that I'm dam'
jolly?
JOHN
[_Has been staring steadily at BRUNO. A dangerous pallor has overspread
his face. He now goes slowly to a small cupboard, takes out an old army
revolver and loads it. MRS. JOHN does not observe this._] You! Listen!
I'll tell you somethin'--somethin' you forgot, maybe. There ain't no
reason on God's earth why I shouldn't pull this here trigger! You
scoundrel! You ain't fit to be among human bein's! I told you ... las'
fall it was ... that I'd shoot you down if I ever laid eyes on you in my
home again! Now go ... or I'll ... shoot. Y'understan'?
BRUNO
Aw, I ain't scared o' your jelly squirter.
MRS. JOHN
[_Who observes that JOHN, losing control of himself, is slowly
approaching BRUNO with the weapon and raising it._] Then kill me too,
Paul. 'Cause he's my brother.
JOHN
Public-domain text, read in full here on John Shaqi.
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