The Dramatic Works of Gerhart Hauptmann, Volume IIHauptmann, Gerhart
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The Dramatic Works of Gerhart Hauptmann, Volume II
Hauptmann, Gerhart
German drama -- Translations into English
Yes, papa. Alice Ruetterbusch was with you that day, and I had made an
engagement to meet Erich here. He came to see you finally but failed to
meet me because I kept hidden.
HASSENREUTER
I can't say that I have any recollection of that.
MRS. HASSENREUTER
[_To her husband._] The girl has really passed more than one sleepless
night on account of this matter.
HASSENREUTER
Well, Mrs. John, if you are inclined to attach any weight to the opinion
of a former jurist who exchanged the law for an artistic career only
after having been plucked in his bar examination--in that case let me
assure you that, under the circumstances, ruthless frankness will prove
your best defense.
JOHN
Jette, where did you put that there child? The head detective told me--I
jus' remember it now--that they're still huntin' aroun' for the child o'
the dead woman! Jette, for God's sake, don't you have 'em suspect you o'
layin' hands on that there newborn child jus' to get the proofs o' your
brother's rascality outa the world!
MRS. JOHN
_Me_ lay hands on little Adelbert, Paul?
JOHN
Nobody ain't talkin' o' Adelbert here. [_To SELMA._] I'll knock your head
off for you if you don' tell me this minute what's become o' the child o'
Bruno an' the Polish girl!
SELMA
Why, it's behind your own partition, Mr. John!
JOHN
Where is it, Jette?
MRS. JOHN
I ain't goin' to tell that.
_The child begins to cry._
JOHN
[_To SELMA._] The truth! Or I'll turn you over to the police,
y'understan'? See this rope? I'll tie you hand and foot!
SELMA
[_Involuntarily, in the extremity of her fear._] It's cryin' now! You
know that child well enough. Mr. John.
JOHN
Me?
[_Utterly at sea he looks first at SELMA, then at HASSENREUTER.
Suddenly a suspicion flashes upon him as he turns his gaze upon his
wife. He believes that he is beginning to understand and wavers._
MRS. JOHN
Don't you let a low down lie like that take you in, Paul! It's all
invented by the fine mother that girl has outa spite! Paul, why d'you
look at me so?
SELMA
That's low of you, mother John, that you wants to make me out so bad now.
Then I won't be careful neither not to let nothin' out! You know all
right that I carried the young lady's child down here an' put it in the
nice, clean bed. I c'n swear to that! I c'n take my oath on that!
MRS. JOHN
Lies! Lies! You says that my child ain't my child!
SELMA
Why, you ain't had no child at all, Mrs. John!
MRS. JOHN
[_Embraces her husband's knees._] Oh, that ain't true at all!
JOHN
You leave me alone, Henrietta! Don' dirty me with your hands!
MRS. JOHN
Paul, I couldn't do no different. I had to do that, I was deceived myself
an' then I told you about it in my letter to Hamburg an' then you was so
happy an' I couldn't disappoint you an' I thought: it's gotta be! We c'n
has a child this way too an' then ...
JOHN
Public-domain text, read in full here on John Shaqi.
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