The Dramatic Works of Gerhart Hauptmann, Volume IIHauptmann, Gerhart
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The Dramatic Works of Gerhart Hauptmann, Volume II
Hauptmann, Gerhart
German drama -- Translations into English
He baited me an' he hunted me down like a dog!
FLAMM
[_Laughing._] Oh, well, that's what you women make of us--dogs. This man
to-day; that man to-morrow! 'Tis bitter enough to think! You can do what
you please now; follow what ways you want to!--If I so much as raise a
finger in this affair again, it'll be to take a rope and beat it about my
ass's ears until I can't see out of my eyes!
_ROSE stares at FLAMM in wide-eyed horror._
MRS. FLAMM
What I said, Rose, stands for all that! You two'll always be provided
for.
ROSE
[_Whispering mechanically._] I was so ashamed! I was so ashamed!
MRS. FLAMM
Do you hear what I say, Rose?--[ROSE _hurries out._] The girl's
gone!--'Tis enough to make one pray for an angel to come down....
FLAMM
[_Stricken to the heart, breaks out in repressed sobbing._] God forgive
me, mother, but ... I can't help it.
THE CURTAIN FALLS
FIFTH ACT
_The living room in old BERND'S cottage. The room is fairly large; it
has grey walls and an old-fashioned whitewashed ceiling supported by
visible beams. A door in the background leads to the kitchen, one at
the left to the outer hall. To the right are two small windows. A
yellow chest of drawers stands between the two windows; upon it is
set an unlit kerosene lamp; a mirror hangs above it on the wall. In
the left corner a great stove; in the right a sofa, covered with
oil-cloth, a table with a cloth on it and a hanging lamp above it.
Over the sofa on the wall hangs a picture with the Biblical subject:
"Suffer little children to come unto me"; beneath it a photograph of
BERND, showing him as a conscript, and several of himself and his
wife. In the foreground, to the left, stands a china closet, filled
with painted cups, glasses, etc. A Bible is lying on the chest of
drawers; over the door to the hall hangs a chromolithograph of
"Christ with the crown of thorns." Mull curtains hang in front of the
windows. Each of four or five chairs of yellow wood has its own
place. The whole room makes a neat but very chilly impression.
Several Bibles and hymnals lie on the china closet. On the door-post
of the door to the hall hangs a collecting-box._
_It is seven o'clock in the evening of the same day on which the
events in Act Four have taken place. The door that leads to the hall
as well as the kitchen door stands open. A gloomy dusk fills the
house._
_Voices are heard outside, and a repeated knocking at the window.
Thereupon a voice speaks through the window._
THE VOICE
Bernd! Isn't there a soul at home? Let's be goin' to the back door!
_A silence ensues. Soon, however, the back door opens and voices and
steps are heard in the hall. In the door that leads to the hall
appear KLEINERT and ROSE BERND. The latter is obviously exhausted and
leans upon him._
ROSE
[_Weak and faint._] No one's at home. 'Tis all dark.
KLEINERT
Public-domain text, read in full here on John Shaqi.
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