_Seventh Brother:_ I see merchants in the distance. Let's sell Joseph to them. [_One brother goes after the merchants, while the others bring_ JOSEPH _from the pit. Merchants enter._] _Tenth Brother:_ What will ye give us for this lad? _Merchant:_ I guess we can give ye about twenty pieces of silver. [_Merchants take_ JOSEPH _with them. Brothers go on their way. Enter_ REUBEN _after his brothers have gone. He runs to the pit._] _Reuben:_ Joseph! Joseph! Where art thou? The lad is gone. Whither shall I go? [REUBEN _goes away, sobbing and wringing his hands._] END * * * * * At the meeting when these were read the children began to criticize the length of the play. One little boy made the remark, "We keep telling the same things over; why can't we leave out that second scene? It is so short, and Joseph could tell his brothers in the third scene that he didn't find them at Shechem." This suggestion was readily accepted, and as a consequence the second scene was omitted. Then the entire group consciously worked on the play to see what parts were unnecessary. Several children had recently been to the theater and had seen some good plays. They told the others that there were few scenes and that there was much left to the imagination of the audience. The result was that this long-drawn-out play was cut down to three essential scenes. The first scene was placed at Dothan, and was much the same as the original scene iii. The second scene was placed at Pharaoh's palace where Joseph was brought to interpret the king's dream. The third represented the brothers coming to Joseph with Benjamin, the youngest, ending with Joseph's forgiveness of them and his sending for Jacob, their father. After these three scenes were decided upon, the older children were asked to begin writing them out in final form. At the fifth meeting of the club all the children sat in a circle with Bibles and pencils and paper and, together with the leader, they formulated the speeches, making them conform as nearly as possible to those in the Bible. The work that had been done outside was discussed and built upon. This part of the procedure did not take as long a time as it may seem, because the children knew so well what thoughts they wanted to express--they had lived the story so many times. They practiced after this, using the words they had decided upon. For the next meeting or two the children acted out the play, trying each time to improve it by better interpretations of the parts. The fact that they had learned definite words did not in the least check the freedom of the action or cause the play to lose the spontaneity which first characterized it, for the reason that the story had quite become a part of the children before they decided upon the set speeches.