The Draytons and the Davenants : $b A story of the Civil WarsCharles, Elizabeth Rundle
History
The Draytons and the Davenants : $b A story of the Civil Wars
Charles, Elizabeth Rundle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
I wonder if it can be that, after all, it leads to more good to fight
out the great battles of right and wrong in this way, than
syllogistically, in Dr. Stewart and Dr. Henderson's way. The logical
battles making good men fierce, and not hurting the bad at all; the
battles for life and death making good men nobler, at all events,
even if they make the bad men worse. Making good men better seems
the end of so many things that God permits or orders in this world.
And as to making bad men worse, it seems as if that could not be
helped, because everything does that until they change the direction
they are going in, which great troubles and dangers sometimes startle
them to do. If this be so, the pain and misery and death would cease
to be so perplexing. Aunt Dorothy used to say, a Church without a
rod in her hand is a Church without sinews. But a Church with a rod
seems sometimes as blind and severe in using it as the world. For
which reason, I suppose, the best periods of Church history seem
often to be those in which the world holds the rod instead of the
Church. And a war may sometimes be as effectual an instrument of
godly discipline as a synod.
LETTICE'S DIARY.
"_June_ 14_th_, 1645, _Davenant Hall, Three o'clock in the
morning_.--We came home yesterday, and I grudge to sleep away any of
these first hours in the old house. It is like travelling into some
marvellous foreign country, to rise at an unwonted hour in the
morning. The sky looks so much higher before the roof of daylight
has quite spread over it. For after all, daylight is a roof shutting
us in to our own green sunny home of earth. And that is partly what
makes the night so awful. We stand roofless at night, open to all
the other worlds, with no walls or bounds on any side. And at dawn
something of the boundlessness and awfulness are still left. With a
majestical slow pomp the morning sweeps the veil of sunlight over
star after star, falling in grand solemn folds of purple and crimson
as it touches the edge of our world, until the great spaces of the
upper worlds are all shut out, and we are shut in with our own kindly
sun, and our own many-coloured fleeting clouds, and our own green
earth.
"Then the other aspect of the dawn begins. Her first steps and
movements are all grand and silent. But when the awful infinity
beyond is shut out, and we are left alone, face to face with her, she
changes altogether.
"The stars pass away in silence. But the day awakes with all kinds
of joyful sounds. The clouds are transformed from solemn purple
banners in some great martial or sacred procession to royal or bridal
draperies. They garland the earth with roses, they strew pearls and
diamonds; they spread the path of the new sun with cloth of gold.
The whole world, earth, and sky, seems to blossom into colour, like a
flower from its sheath. Every leaf of the limes outside my window,
every spike of the horse-chestnuts seems to awake with a flutter of
joy.
Public-domain text, read in full here on John Shaqi.
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