The Draytons and the Davenants : $b A story of the Civil WarsCharles, Elizabeth Rundle
History
The Draytons and the Davenants : $b A story of the Civil Wars
Charles, Elizabeth Rundle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
Roger recollected her face and voice and her foreign accent, and one
or two things she said to him. I remember nothing of her but a kind
of brooding warmth and care, tender caressing tones, and being
watched by eyes with a look in them unlike any other, and then a day
of weeping and silence and black dresses and sad faces, and a
wandering about with a sense of something lost. Lost for ever out of
my life. As much as by any possibility could be, Aunt Gretel made up
the tenderness, and Aunt Dorothy the discipline; and my father did
all he could to supply her place by a fatherly care softened into an
uncommon passion by his sorrow, and deepened into the most sacred
principle by his desire to remedy our loss. Yet, in looking back, I
feel more and more we did indeed inevitably lose much. All these
balancing and compensating cares and affections and restraints from
every side yet missed something of the tender constraints and the
heart-quickening warmth they would have had all living, blended, and
consecrated in the one mother's heart. Yet to Roger, perhaps, the
loss was at various points in his life even greater than to me.
If she had lived, perchance the lessons we had to learn after that
May Day would have been learned with less of blundering and heat.
Yet how can I tell? It seems to me the true painter keeps his
pictures in harmony not by mixing the colours on the palette, but by
blending them on the canvass, not by painting in leaden monotonous
grays, but by interweaving and contrasting countless tints of pure
and varied colour. And in nature, in history, in life, it seems to
me the Creator does the same.
Yes, God forbid that in lamenting what we lost I should blaspheme the
highest love--the love which, as Aunt Gretel says, takes every image
of human affection, and fills and overfills it, and casts it away as
too shallow; in its unutterable intensity putting as it were a tender
paradox of slander on even a mother's love for her babes, and saying,
"They may forget, yet will not I."
For that love, we believe, gave and took away, and has led us through
fasting and feasting, dangers and droughts, Marahs and Elims,
chastenings and cherishings, ever since.
CHAPTER III.
Public-domain text, read in full here on John Shaqi.
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