But, above all, the gentlest influence came from the great love of the Huberts for each other, which seemed to be enlarged by some unknown, incurable remorse. He passed the days in endeavouring to make his wife forget the injury he had done her in marrying her in spite of the opposition of her mother. He had realised at the death of their child that she half accused him of this punishment, and he wished to be forgiven. She had done so years ago, and now she idolised him. Sometimes he was not sure of it, and this doubt saddened his life. He wished they might have had another infant, and so feel assured that the obstinate mother had been softened after death, and had withdrawn her malediction. That, in fact, was their united desire--a child of pardon; and he worshipped his wife with a tender love, ardent and pure as that of a betrothed. If before the apprentice he did not even kiss her hand, he never entered their chamber, even after twenty years of marriage, without an emotion of gratitude for all the happiness that had been given him. This was their true home, this room with its tinted paintings, its blue wall-paper, its pretty hangings, and its walnut furniture. Never was an angry word uttered therein, and, as if from a sanctuary, a sentiment of tenderness went out from its occupants, and filled the house. It was thus for Angelique an atmosphere of affection and love, in which she grew and thrived. An unexpected event finished the work of forming her character. As she was rummaging one morning in a corner of the working-room, she found on a shelf, among implements of embroidery which were no longer used, a very old copy of the “Golden Legend,” by Jacques de Voragine. This French translation, dating from 1549, must have been bought in the long ago by some master-workman in church vestments, on account of the pictures, full of useful information upon the Saints. It was a great while since Angelique had given any attention to the little old carved images, showing such childlike faith, which had once delighted her. But now, as soon as she was allowed to go out and play in the garden, she took the book with her. It had been rebound in yellow calf, and was in a good condition. She slowly turned over some of the leaves, then looked at the title-page, in red and black, with the address of the bookseller: “à Paris, en la rue Neufre Nostre-Dame, à l’enseigne Saint Jehan Baptiste;” and decorated with medallions of the four Evangelists, framed at the bottom by the Adoration of the Three Magi, and at the top by the Triumph of Jesus Christ, and His resurrection. And then picture after picture followed; there were ornamented letters, large and small, engravings in the text and at the heading of the chapters; “The Annunciation,” an immense angel inundating with rays of light a slight, delicate-looking Mary; “The Massacre of the Innocents,” where a cruel Herod was seen surrounded by dead bodies of dear little children; “The