Christian life -- Fiction; Dreams -- Fiction; France -- Social life and customs -- Fiction
“Be careful, my dear,” said Hubertine, continuing to tease her. “You
will make your guardian angel, Saint Agnes, weep. Do not you know that
she refused the son of the Governor, and preferred to die, that she
might be wedded to Jesus?”
The great clock of the belfry began to strike; numbers of sparrows flew
down from an enormous ivy-plant which framed one of the windows of
the apse. In the workroom, Hubert, still silent, had just hung up the
banner, moist from the glue, that it might dry, on one of the great iron
hooks fastened to the wall.
The sun in the course of the morning had lightened up different parts
of the room, and now it shone brightly upon the old tools--the diligent,
the wicker winder, and the brass chandelier--and as its rays fell upon
the two workers, the frame at which they were seated seemed almost
on fire, with its bands polished by use, and with the various objects
placed upon it, the reels of gold cord, the spangles, and the bobbins of
silk.
Then, in this soft, charming air of spring, Angelique looked at
the beautiful symbolic lily she had just finished. Opening wide her
ingenuous eyes, she replied, with an air of confiding happiness, to
Hubertine’s last remark in regard to the child-martyr, Saint Agnes:
“Ah, yes! But it was Jesus who wished it to be so.”
CHAPTER V
Notwithstanding her thoroughly cheerful nature, Angelique liked
solitude; and it was to her the greatest of recreations to be alone
in her room, morning and evening. There she gave herself up to her
thoughts; there she indulged to the full scope in her most joyous
fancies. Sometimes even during the day, when she could go there for a
moment, she was as happy as if, in full freedom, she had committed some
childish prank.
The chamber was very large, taking in at least half of the upper story,
the other half being the garret. It was whitewashed everywhere; not only
the walls and the beams, but the joists, even to the visible copings of
the mansard part of the roof; and in this bare whiteness, the old oaken
furniture seemed almost as black as ebony. At the time of the decoration
of the sleeping-room below, and the improvements made in the parlour,
the ancient furniture, which had been bought at various epochs, had
been carried upstairs. There was a great carved chest of the Renaissance
period, a table and chairs which dated from the reign of Louis XIII., an
enormous bedstead, style Louis XIV., and a very handsome wardrobe, Louis
XV. In the middle of these venerable old things a white porcelain stove,
and the little toilet-table, covered with a pretty oilcloth, seemed out
of place and to mar the dull harmony. Curtained with an old-fashioned
rose-coloured chintz, on which were bouquets of heather, so faded that
the colour had become a scarcely perceptible pink, the enormous bedstead
preserved above all the majesty of its great age.
Public-domain text, read in full here on John Shaqi.
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