It was a little house built by the side of a river, actually touching
the water on one side, so that you could step out of a door, down a
step, and into a rowboat. And there were white swans and yellow-breasted
ducks with bronze-green backs swimming in the reflection of the pink
walls. On the land side was a poplar tree, very tall and dressed in
silvery blue leaves, standing erect like a giant soldier on guard before
a toy house. Once Philippe’s Grandfather had explained to him how he
could tell the time of day by the shadow this tree cast: when it struck
across the chimney at the corner of the house, it was time to go into
the fields; when it crossed the front door, it was time to enter therein
for the midday meal, and when it pointed out toward the fields, that was
a signal for Grandmother to ring the great bell that would call the
workers home.
“And what,” Philippe had asked, “do you do, Grandfather, when the sun is
under the clouds, and there is no shadow to tell the time?”
“Well, then we must needs look at the clock which ticks on the
mantelshelf over the fire,” Grandfather said with a twinkle of his old,
blue eyes, eyes half hidden by the tufts of white eyebrows.
Although the day had commenced unusually fine, and the calm, blue sea of
sky had been without an island reef or bar of cloud to wreck the golden
galleon of the sun, by the time Philippe had been tubbed, scrubbed,
dressed in his best, had been rehearsed in his address to his uncle,
kissed good-by, and given a little nosegay of pansies and lilies of the
valley in a paper twist for his Grandmother, and had crossed the twelve
fields and picked his way carefully through the woods to avoid the sharp
brambles that reached out after him with long and sinuous arms—by the
time all this had come to pass, and Philippe was actually in sight of
his grandparents’ cottage, it began to rain from a sky as heavily gray
as it had been brightly blue before. It started so suddenly that
Philippe had to run across the last field to keep the big drops from
ruining his new black velvet cap.
The inside of the house was very dark, with only two windows, like
half-closed eyes, looking out on the world. Through these windows
entered shafts of pale, watery light that cut blue paths in the wreaths
of wood smoke creeping around the rafters. Pots, pans, and kettles of
burnished copper hung from hooks in the ceiling, and mirrored in tiny
points the flames leaping on the hearth. It was like another world,
small but complete, inside Grandmother’s and Grandfather’s house: the
floor was the earth itself, trampled until it was as hard as brick, the
wreaths of smoke were thin clouds flung across a dark sky where yellow
and red stars winked and twinkled. At one end of the room, where
Grandmother and Anjou, the cat, were busy preparing dinner over the
bright fire, it was gay and warm: _Day_; but at the farther end, where
Grandfather sat stroking his long white beard, it was dark and chilly:
_Night_.
Public-domain text, read in full here on John Shaqi.
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