Antique dealers -- Fiction; Detective and mystery stories, English; London (England) -- Fiction
“Sleep out here every night,” was the reply; “and there is always
someone here in the daytime. Incidentally, a curious thing occurred
last week. I had just fixed the girdle, which, I may explain, was once
the property of Nicris, a favourite of Ramses III, and my model was
alone here for a few minutes. As I was returning from the house I
heard her cry out, and when I came to look for her she was crouching
in a corner trembling. What do you suppose had frightened her?”
“Give it up,” said Harman.
“She swore that Nicris--for the statue is supposed to represent
her--had moved!”
“Imagination,” replied Coram, “but easily to be understood. I could
believe it, myself, if I were here alone long enough.”
“I fancy,” continued Paxton, “that she must have heard some of the
tales that have been circulated concerning the girdle. The thing has a
rather peculiar history. It was discovered in the tomb of the dancer
by whom it had once been worn; and it is said that an inscription was
unearthed at the same time containing an account of Nicris’s death
under particularly horrible circumstances. Seton--you fellows know
Seton--who was present at the opening of the sarcophagus, tells me
that the Arabs, on catching sight of the girdle, all prostrated
themselves and then took to their heels. Sir Melville Fennel’s agent
sent it on to England, however, and Sir Melville conceived the idea of
this statue.”
“Luckily for you,” added Coram.
“Quite so,” laughed the sculptor, and, carefully locking the studio
door, he led the way up the short path to the house.
We were a very merry party, and the night was far advanced ere the
gathering broke up. Coram and I were the last to depart; and having
listened to the voices of Harman and the others dying away as they
neared the end of the street, we also prepared to take our leave.
“Just come with me as far as the studio,” said Paxton, “and having
seen that all’s well I’ll let you out by the garden door.”
Accordingly, we donned our coats and hats, and followed our host to
the end of the garden, where his studio was situated. The door
unlocked, we all three stepped inside the place and gazed upon the
figure of Nicris--the pallid face and arms seeming almost unearthly in
the cold moonlight, wherein each jewel of the girdle and headdress
glittered strangely.
“Of course,” muttered Coram, “the thing’s altogether irregular--a fact
which the critics will not fail to impress upon you; but it is
unquestionably very fine, Paxton. How uncannily human it is! I don’t
entirely envy you your bedchamber, old man!”
“Oh, I sleep well enough,” laughed Paxton. “No luxury, though; just
this corner curtained off and a camp bedstead.”
“A truly Spartan couch!” I said. “Well, good-night, Paxton. We shall
probably see you to-morrow--I mean later to-day!”
With that we parted, leaving the sculptor to his lonely vigil at the
shrine of Nicris, and as my rooms were no great distance away, some
half-hour later I was in bed and asleep.
Public-domain text, read in full here on John Shaqi.
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