9. In Thy morning we shall be filled with Thy mercy: we shall rejoice
and be in pleasure all our days.
10. We shall be glad according to the days of our humiliation: and
the years in which we have seen evil.
11. Look, O Lord, upon Thy servants and on Thy work: and direct their
children.
12. And let the beauty of the Lord our God be upon us: and the work
of our hands, establish Thou it.
Glory be to the Father, and to the Son: and to the Holy Ghost.
As it was in the beginning, is now, and ever shall be: world without
end. Amen.
ANGEL
Softly and gently, dearly-ransomed soul,[35]
In my most loving arms I now enfold thee,
And, o'er the penal waters, as they roll,
I poise thee, and I lower thee, and hold thee. 900
And carefully I dip thee in the lake,[36]
And thou, without a sob or a resistance,
Dost through the flood thy rapid passage take,
Sinking deep, deeper into the dim distance.
Angels, to whom the willing task is given,
Shall tend, and nurse, and lull thee, as thou liest;
And Masses on the earth, and prayers in heaven,
Shall aid thee at the Throne of the Most Highest.
Farewell, but not for ever! brother dear,
Be brave and patient on thy bed of sorrow; 910
Swiftly shall pass thy night of trial here,
And I will come and wake thee on the morrow.
[11] As suggested in the Introduction, the musical character
of the verse of "The Dream of Gerontius" is brought out more and more
by careful study of the changes of the meaning of the poem and their
expression. "The Dream" is a series of lyrics,--each lyric voicing
its own feeling and sensitively tuned to that feeling. According to
the scansion most in use in English, the first supplicating lyric may
be classed as in pentameter iambic. Gerontius is yet in the body, and
the rime, used solemnly, marks a difference--which has a delicate
symbolism--between his utterances in the body and his utterances when
his soul has left the body. What we call blank verse is used by the
Spirit--rime disappears, but the rhythm remains the same. Using
verse-notation, we find five accented notes in each line, if we
consider the lines at all. There are two quarter-notes in each bar,
which may be written as
[Illustration]
Public-domain text, read in full here on John Shaqi.
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