The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe — John Shaqi
The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
General
The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
Upon a mellow September afternoon three years after the newspapers had
announced the death, in Richmond, Virginia, of Elizabeth Arnold, the
popular English actress, generally known in the United States as Mrs.
Poe, the ancient town of Stoke-Newington, in the suburbs of London,
dozing in the shadows of its immemorial elms, was aroused to a mild
degree of activity by the appearance upon its green-arched streets of
three strangers--evidently Americans. It was not so much their
nationality as a certain distinguished air that drew attention upon the
dignified and proper gentleman in broadcloth and immaculate linen, the
pretty, gracious-seeming and fashionably dressed lady and especially the
little boy of six or seven summers with the large, wistful eyes and pale
complexion, and chestnut ringlets framing a prominent, white brow and
tumbling over a broad, snowy tucker. He wore pongee knickerbockers and
red silk stockings and on his curls jauntily rested a peaked velvet cap
from which a heavy gold tassel fell over upon his shoulder.
The denizens of old Stoke-Newington gazed upon this prosperous trio with
frank curiosity; the reader has already recognized John Allan and his
wife, Frances, and little Edgar Poe--their adopted child.
The sun was still hot, and the refreshing chill in the dusky street,
under its arch of interlacing boughs, was grateful to the tired little
traveller. As he moved along, clinging to Mrs. Allan's hand, his big
eyes gazing as far as they might up the long, cool aisle the trees made,
the hazy green distance invited his mystery-loving fancy. The odors of a
thousand flowering shrubberies were on the air and he felt that it was
good to be in this dreaming old town--as old, it seemed to him, as the
world; and there was born in him at that moment, though he could not
have defined it, a sense of the picturesquesness, the charm, the
fragrance, of old things--old streets, old houses, old trees, old turf
and shrubberies, even--with their haunting suggestions of bygone days
and scenes.
They passed the ancient Gothic church, standing solemn and serene among
its mossy tombs. In the misty blue atmosphere above the elms the fretted
steeple seemed to the boy to lie imbedded and asleep, but even as he
gazed upon it the churchbell, sounding the hour, broke the stillness
with a deep, hollow roar which thrilled him with mingled awe and
delight.
Ah, here indeed, was a place made for dreaming!
In the midst of the town lay the Manor House School where the scholarly
Dr. Bransby, who preached in the Gothic church on Sundays, upon
week-days instructed boys in various branches of polite learning--and
also frequently flogged them. This school was the destination of the
three strangers from America, for here the foundations of young Edgar's
education were to be laid during the several years residence of his
foster-parents in London, in which city the boy himself would pass his
holidays and sometimes be permitted to spend week-ends.
Public-domain text, read in full here on John Shaqi.
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