The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
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The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
"Hear her!" cried Edgar Goodfellow who was in the ascendent for the
first time in many a long day. "Hear her! Just as if her vain little
heart didn't tell her it's herself!"
But the moment of playfulness was a rarity, and all the more enjoyed for
that.
The papers came out in due course, serially, and created a new sensation
and brought their little reward, but they also plunged their author into
a succession of unsavory quarrels. As each one appeared, it was looked
for with eagerness and read with intense interest by the public, but
frequently with as intense anger by the subject.
Perhaps the most caustic of all the critiques was the one upon the work
of Mr. Thomas Dunn English, whom Poe contemptuously dubbed, "Thomas Done
Brown."
Mr. English bitterly retorted with an attack upon his critic's private
character. A fierce controversy followed in which English became so
abusive that Poe sued and recovered two hundred and twenty-five dollars
damages--which goes to prove that even an ill wind can blow good.
Long after the papers had been published the scene of playful idleness,
with all its holiday charm, when Edgar Poe drew out the strips of
manuscript in which were rolled up "The Literati of New York" remained
in Mrs. Osgood's memory, and in his own. To him it was indeed a gleam of
brightness amid a throng of "earnest woes," a season of calm in a
"tumultous sea."
But, as been said, why dwell upon the details of that bleak, despairing
winter? Spring brought a change which makes a more pleasant picture.
* * * * *
Ever since they had left Philadelphia the Poes had clung, in memory, to
the rose-embowered cottage in Spring Garden. There, they told each
other, they had a home to their minds. It was the dear "Muddie," their
ever faithful earthly Providence to whom they were already so deeply
indebted, who discovered in the suburb of Fordham, a tiny cottage which
had much of the charm of which they dreamed--even to the infinitesimal
price for which it could be rented.
It was only a story and a half high, but there was a commodious and
cheerful room down stairs, with four windows, and from the narrow
hallway a quaint little winding stair led to an attic which though its
roof was low and sloping contained a room large enough to serve the
double purpose of bed-chamber and study.
There was a pleasant porch across the front of the cottage which would
make an ideal summer sitting-room and study, when the half-starved
rose-bush upon it should have been nursed and trained to screen it from
the sun.
Public-domain text, read in full here on John Shaqi.
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