The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
General
The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
The cottage stood upon a green hill, half-buried in cherry trees--just
then in full bloom and filled with bird-song. Nearby was a grove of
pines and a short walk away was the Harlem River, with its picturesque,
high, stone bridge. It was an abode fit to be in Paradise, Edgar told
Virginia and the Mother, and within a few days they and their few small
possessions--including Catalina--were as well established there as if
they had never known any other home.
The moving in recalled the earliest days of their life at Spring Garden.
Again "Muddie" was busy, not with soap and water only, but with the
whitewash brush. Again their hearts were blythe with the pleasing sense
of change--of the opening up of a new vista of there was no knowing what
happiness--just as children welcome any change for the change itself,
always expecting to find pleasant surprises upon a new and untried road.
But there was a difference in themselves since the moving into the
Spring Garden Cottage, which had been so gradual that they were scarcely
conscious of it. The years since then lay heavily upon them. They showed
plainly in the deepened lines in Mother Clemm's face, in the deepened
anxiety in her Mater Dolorosa eyes, in the frost upon the locks that
peeped from under her immaculate widow's cap. They showed in the
fragile figure of Virginia--once so full of sweet curves;--in the
ethereal look that had come into the once rounded cheeks and full
pouting lips, in the transparency of her skin and in the sweet eyes that
when not filled with the merry laughter that had through thick and thin
filled her dwelling place with sunshine and music, had a faraway
expression in them, as if they were looking into another world.
They showed most of all in The Dreamer himself. To him these years had
been years of fierce battle; battle, not for wealth, but for bread;
battle not so much for selfish ambition as for his country, and in a
high sense--for he had fought valiantly to win a place for America in
the world of letters; battle with himself--with the devils that sought
mastery over his spirit--the devil of excitement and exhilaration that
lay in the bottom of the cup, the devil of blessed forgetfulness,
accompanied by magical dreams that dwelt in the heart of the poppy, the
devil of melancholy and gloom to whom he felt a certain charm in
yielding himself, the devil of restlessness and dissatisfaction with
whatsoever lay within his grasp--a dog-and-shadow sort of desire to drop
the prize in hand in a chase after that of his vision,--the impish devil
of the perverse.
At times he had been victorious, at other times there had been defeat.
But always the warfare had been fierce and the scars remained to tell
the story. They remained in the emaciation and the deep lines of his
still beautiful face; remained in the drooping curves of the mouth;
remained above all in the ineffable sadness of the large, deep, luminous
eyes.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account