The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
General
The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
Yet that sweet spring day when the three were moving into Fordham
cottage, the years that had wrought upon them thus were as they had not
been.
Their little possessions had dwindled pitifully. Virginia's golden harp
that had been the glory of the sitting-room was gone to pay a debt. One
by one others of their household gods had provided bread. But the spurt
of prosperity the damages recovered in the "Thomas Done Brown" suit
brought, made possible a new checked matting for the sitting-room floor
and so bright and clean did it look that they felt it almost furnished
the room of itself. It would mean much to them in saving the dear Mother
the most laborious feature of her labor. It was a more difficult matter
than formerly for her to get down upon her knees to scrub the floor and
it had become impossible for the frail Virginia to help her in such
work; yet as long as the floor was bare she had kept it as spotless and
nearly as white as new fallen snow. When the matting had been laid,
Eddie took her beautiful worn hands in his and kissed first one and then
the other.
"No more scrubbing of the sitting-room floor, dear hands," he playfully
said.
In addition to the matting there were in the way of furnishings only a
few chairs, some book-shelves, a picture or two, vases for flowers, some
sea-shells, and, of course, Edgar's desk. Above the desk hung the
pencil-sketch of "Helen" from which somehow, he was always able to draw
inspiration. Sometimes the wings of his imagination would droop, his pen
would halt. In desperation he would look up at the picture.--Could it be
(he would ask himself) that her spirit had come to dwell in this
representation of her which he had made from memory? Her eyes seemed to
look at him through the eyes in the picture--the past came back to him
as it sometimes did when the mingled scent of magnolias and roses on
the summer night air placed him back beneath her window.
From this portrait of the lovely dead upon the wall, from the miniature
of the lovely dead that he carried always next his heart, and from the
lovely being who walked, in life, by his side, but toward whose bosom
death had this long time pointed a warning finger, came all his
inspiration in the new, as in each of the old homes.
Upstairs, close under the sloping roof, was the bare bed-room, barer
than the one below--for there was no checked matting upon the floor, and
there were only such pieces of furniture as were an absolute necessity;
but against a small window in the end of the room leaned a great
cherry-tree. The windows were open and the faint fragrance of the
blossoms floated in with the song and gossip of the nesting birds. Edgar
and Virginia laughed together like happy children and told each other
that they would "play" that their room under the roof was a nest in the
tree--which was so much more poetical than living in an attic.
Public-domain text, read in full here on John Shaqi.
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