The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
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The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
In these fascinating flights into the realms of flirtation, as in other
things, Edgar's friends acknowledged his superiority--his romantic
personal beauty and his gift for rhyming giving him a decided advantage
over them all; but they acknowledged it without jealousy, for there was
much of hero worship in their attitude toward him, and they were not
only perfectly contented for him to be first in every way but it would
have disappointed them for him not to be. The captivating charm of his
presence, in his gay moods, made it unalloyed happiness for them to be
with him. They were always ready to follow him as far as he led in
daring adventure--ready to fetch and carry for him and glowing with
pride at the least notice from him.
Some boys would have taken advantage of this state of things, but not so
Edgar Goodfellow. He, for his part, was always ready to contribute to
their pleasure, and fairly sunned himself in the unstinting love and
praise of these boys who admired, while but half divining his gifts.
Their games had twice the zest when Eddie played with them--he threw
himself into the sport with such heartfelt zeal that they were inspired
to do their best. Many a ramble in the woods and fields around Richmond
he took with them, telling them the most wonderful stories as he went
along; but sometimes, quite suddenly, during these outings, Edgar
Goodfellow would give place to Edgar the Dreamer and they would
wonderingly realize that his thoughts were off to a world where none of
them could follow--none of them unless it were Rob Sully, who was
himself something of a dreamer, and could draw as well as Edgar.
The transformation would be respected. His companions would look at him
with something akin to awe in their eyes and tell each other in low
tones not to disturb Eddie, he was "making poetry," and confine their
chatter to themselves, holding rather aloof from the young poet, who
wandered on with the abstracted gaze of one walking in sleep--with them,
but not of them.
There were other, less frequent, times when his mood was as much
respected, when added to the awe there was somewhat of distress in their
attitude toward him. At these times he was not only abstracted, but a
deep gloom would seem to have settled upon his spirit. Without apparent
reason, melancholy claimed him, and though he was still gentle and
courteous, they had a nameless sort of fear of him--he was so unlike
other boys and it seemed such a strange thing to be unhappy about
nothing. It was positively uncanny.
Public-domain text, read in full here on John Shaqi.
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