The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe — John Shaqi
The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
General
The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
The churchyard on the hill was but a short distance away from his new
home, and as spring opened, became a favorite resort of nurses and
children. The negro "mammy" who had replaced Nurse Betty used often to
take him there, and often, as she chatted with other mammies, her charge
would wander from her side to the grave against the wall, where he would
stretch his small body full length upon the turf and whisper the
thoughts of his infant mind to the dear one below; for who knew but
that, even down under ground she might be glad to hear, through her
white sleep, her little boy's words of love and remembrance--though
never, nevermore she could see him on earth. He would even imagine her
replies to him, until the conversations with her became so real that he
half believed they were true.
At night, when bed-time came, he said his prayers at the knee of his
pretty new mother, who told him jolly stories and sang him jolly songs,
and patted him and soothed him with caresses which he found very
agreeable, and accepted graciously. But he always took the miniature
which had been his dying mother's parting gift to bed with him and he
was glad when the new mother kissed him goodnight and put out the light
and softly closed the door behind her; for it was then, with the picture
close against his breast, that the visions came to him--the visions of
angels making sweet music upon golden harps and among them his lost
mother, with her sweet face saddened but made sweeter still by that
thought of nevermore.
Oh, that wondrous word nevermore! Its music charmed him, its
hopelessness filled and thrilled him with a strange, a holy sorrow, in
which there was no pain.
With the lovely vision still about him, the picture still clasped to his
breast, he would sink into healthful sleep to wake on the morrow a
bright, joyous boy, alive to all the pleasures of the new
day--delighting in the beauties of blue sky and sunshine, of whispering
tree and opening flower, ready for sport with his play-fellows and his
pets, and full of all manner of merry pranks and jokes. For in the frame
of this small boy there dwelt two distinct personalities--twin
brothers--yet as utterly unlike as strangers and foreigners, thinking
different thoughts, speaking different languages, and dominating
him--spirit and body--by turns. One of these we will call Edgar
Goodfellow--Edgar the gay, the laughter-loving, the daring, the real,
live, wholesome, normal boy; keen for the society of other boys and
liking to dance, to run, to jump, to climb, even to fight. The other,
Edgar the Dreamer, fond of solitude and silence and darkness, for they
aided him to wander far away from the everyday world to one of make
believe created by himself and filled with beings to whom real people
were but as empty shadows; but a world that the death and burial of his
beautiful and adored young mother and the impression made upon him by
those scenes, had tinged with an eternal sadness which hung over it as a
veil.
Public-domain text, read in full here on John Shaqi.
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