The Dreamer of DreamsMarie, Queen, consort of Ferdinand I, King of Romania
Science
The Dreamer of Dreams
Marie, Queen, consort of Ferdinand I, King of Romania
Fairy tales
At her feet, rigid and unblinking, as if cast out of steel or carved in
granite, his eyes gazing into space, was an eagle of unusual size; there
he sat in quiet majesty at the feet of this vision of beauty, like a
ghost of the mountains that had been turned to stone. A faint haze lay
over all, something mysterious and grave-like; nor was it to be
discovered whence the light came. There were no windows, no opening
anywhere, and yet everything was distinctly visible.
The face of the woman was more perfect than it had ever been. Eric was
now bending over it with a feeling of awe and wonder.
Was ever sleeper so still, was ever living face so pale, lips so
blanched? Gradually a cold sensation of fear began to creep over the
startled youth; he bent lower, his face close to that silent one. He
sprang back with a cry of horror ... beneath the long lashes he saw that
the woman was looking at him, and yet....
Oh! What was it? What horrible nightmare was this?... She was looking,
she was staring ... yes, she was staring with sightless eyes--eyes out
of which the light of life had gone for ever! for ever!...
Eric sank to his knees and hid his face against the still form, and as
he did so he felt something wet upon his cheek, something that was
trickling slowly down upon the floor where he knelt, something that was
gradually spreading in a dark patch, which widened over the grey folds
of the robe. And then Eric saw that within the woman's heart a dagger
had been thrust.... A dagger within the very centre of her heart.
XI
Over thy creations of beauty there is a mist of tears.
TAGORE.
High and austere in their forsaken silence stood the walls of the great
church--God's own sun looked in through the crumbling windows, and God's
own sky was its only roof. Many of the columns had fallen, but others
stood, erect and rigid, frowning down from their immense height, grey
and lonely, like giant trees in winter.
Large heaps of stones lay about the mosaic floor that still showed signs
of a beautiful design; statues had fallen from their pedestals and lay
in helpless attitudes, their arms broken, their vacant eyes gazing with
stony indifference into the sunshine. Sometimes their heads were
missing, having rolled away as they fell.
Nature was rapidly doing her work; she was spreading her consoling
mantle of verdure and flowers over this crumbling work of art, which
human hands had once, long ago, built with pious vows and prayers.
Public-domain text, read in full here on John Shaqi.
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