The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
I was led down by Joubert and given into the charge of Gretel. Breakfast
was laid for Eloise and me in the same boudoir where we had supped the
night before, but lo, and behold! when we reached the room another child
was there as well as Eloise.
A boy of my own age. A charming little figure dressed in the uniform of
a Pomeranian grenadier.
"This is Carl!" cried Eloise, pulling the little grenadier forward by
the hand. "This is Toto, Carl. I forgot his other name. No matter. I am
hungry. Gretel, I pray you let us have breakfast."
Carl was dark; and he met me without smiling, and took my hand without
grasping it properly, and looked at me, not directly, but in a veiled
manner curious in a child so young.
Carl repelled me, and yet attracted me. When I contrast his face with
the portrait in the picture-gallery of the schloss, I can see now, with
the eye of memory, the awful likeness between him and the dead and gone
Margaret von Lichtenberg, just as I can see the likeness between myself
and Philippe de Saluce.
The "family likeness"--that mysterious fact in life before which science
is dumb--never was more manifest; but what made the thing more curious,
more deeply involved in mystery, was the fact that under the same roof,
hundreds of years after the old tragedy of long ago, the facsimiles of
the two actors should meet as children fresh to the world.
As for me this morning, I saw nothing in Carl von Lichtenberg but a
little boy of my own age, somewhat fantastically dressed. The
half-terror, the extraordinary sensation that the picture of Margaret
von Lichtenberg had called up in my mind the night before, had expended
itself and vanished, leaving me incapable of further psychic perception.
Everything was commonplace again as the bread-and-butter that Gretel was
cutting for us at the side-table.
The schloss was so vast, so solidly constructed, that no sound came to
us from the other guests.
After breakfast, when we were running down a corridor making for the
garden, and led by Eloise, a gentleman stopped us, and spoke a few words
of greeting, and passed on.
"That was the King," said Eloise. "He is leaving to-morrow--he and Graf
von Bismarck. We, too, are leaving the day after."
"You, too?" I cried, my childish heart recalling the lovely Countess
Feliciani, who had been clean forgotten for twelve hours or more.
"Yes," said Eloise. "And there's mamma. Come along. See, she is with
those ladies by the fountain."
We had broken into the garden, a wonderful and beautiful garden, with
shaven lawns and clipped yew-trees, terraces, dim vistas cypress-roofed,
and, far away down one of these alleys a sight to fascinate the heart of
any child, the figure of a great stone man running. He was dressed in
green lichen, lent him by the years; he held a spear in his hand, and he
seemed in the act of hurling it at the game he was pursuing there beyond
the cypress-trees at the edge of the singing pines.
Public-domain text, read in full here on John Shaqi.
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