The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
"I must go," said he. "It was my joke. I am the old woman who makes the
whistles."
Off he went.
I have often thought since that much weariness, much sorrow to me, and
much plotting and planning to the Great Writer of love-stories. Who
lives above, might have been saved if I had gone that day with Vogel to
see "the old woman who makes the whistles."
"What was Skull-face saying to you?" asked Joubert.
"He made me this," said I, showing him the pithed stick.
The Felicianis departed at three o'clock. Eloise, with her cheeks
flushed, was laughing with excitement: she seemed quite to have
forgotten her grief. Four horses drew their carriage. They were bound
for Homburg, where they would pass the night before going on to
Frankfort.
I remember, as the carriage drove off. Countess Feliciani looked back
and smiled at us--at my father, myself, Von Lichtenberg, Major von der
Goltz, and General Hahn, all grouped on the steps. God! had she known
the happenings to follow, how that smile would have withered on her
lips!
Carl was still invisible, and the great schloss, now that Eloise was
gone, seemed strangely empty to me. It is wonderful how much space a
child can fill with its presence. Eloise's happy little form had
diffused itself, spreading happiness and innocence far and wide, and
dispelling I know not what evil things. If a rose can fill a room with
its perfume, who knows how far may reach the perfume of an innocent and
beautiful soul!
At six o'clock I was in the library; a box of tin soldiers, which my
father had bought for me at Carlsruhe, stood open on the table, and the
armies were opposed.
I was not too old to play with soldiers like these, for there were
shoals of them: officers, and drummers, and gunners, cannon,
flags--everything. As a matter of fact, Major von der Goltz had been
playing with me, too, and I'll swear he took just as much interest in
them as I.
He had gone now, and I was tired of the soldiers. I turned my attention
to the books. I was walking along by the shelves, examining the backs of
the volumes and trying to imagine what the German titles could mean,
when suddenly, from amidst the books, I heard a child's voice.
The child seemed singing and talking to itself, and the sound seemed to
come from the volumes on the shelves. It was strange to hear it coming
from amidst the books like that, as though some volume of fairy tales
had suddenly become vocal, and Hänsel, playing by the witch-woman's
door, had found a voice.
Then I noticed that the books before me were not real books, but
imitation.
In the centre of one of these imitation book-racks there was a little
brass knob. I pressed it, and the wall gave, disclosing a passage. The
book-backs were but the covering of a narrow door.
This passage, suddenly disclosed, fascinated me.
Public-domain text, read in full here on John Shaqi.
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