The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
We passed through the suburbs of the town, and then through the Ghetto.
You never can imagine how much colour is in dirt till you see the Jews'
quarter of Frankfort--how much poetry, and also, how much perfume!
Joubert, who could not speak a word of the Hogs' language--as he was
pleased to style the language of Germany--drove on, piercing the narrow
streets to the heart of the town, and in the Kaisserstrasse he drew up.
The General inquired the way of a policeman, and in five minutes or less
we were before the doors of the Hôtel des Hollandaise.
CHAPTER II
VON LICHTENBERG
The Hôtel des Hollandaise was situated, I believe, in the
Wilhelmstrasse, an old-fashioned inn with a courtyard. It has long
vanished, giving place to a more modern building.
Nowadays, when the Continent is inundated with travellers, when you are
received at a great hotel with about as much consideration as a pauper
is received at a workhouse, it is hard to imagine the old conditions of
travel.
Weigand, the proprietor of the Hôtel des Hollandaise, received us in
person, backed by half a dozen waiters, all happy and smiling. They had
the art of seeming to have known us for years; the luggage was removed
as tenderly as though it were packed with Sèvres, and, led by the host,
we were conducted to our rooms, a suite on the first floor.
When Marie Antoinette came to France, at the first halting-place beyond
the frontier she slept in a room whose tapestry represented the Massacre
of the Innocents.
Our sitting-room in the Hôtel des Hollandaise, a large room, had upon
its walls the Siege of Troy, not in tapestry, but wall-paper. On this
day, when the seeds of my future life were sown, it was a coincidence,
strange enough, this villainous wall-decoration, with its tale of war,
ruin, and love.
Whilst my father was writing letters, I, active and inquisitive as a
terrier, explored the suite, examined the town from the balcony of the
sitting-room, and, finding the prospect unexciting, proceeded to the
examination of the hotel.
A balcony surrounded the large central courtyard, where people were
seated at tables, some smoking, some drinking beer from tall mugs with
lids to them. Waiters passed to and fro; it was delightful to watch,
delightful to speculate and weave romances about the unromantical
drinkers--Jews, travellers, and traders; foreign to my eyes as the
denizens of a bazaar in Samarcand.
Now casting my eyes up, and led by the spirit that makes children see
what is not intended for them, I saw, at a door in the gallery opposite
to me, Joubert, who had just been superintending the stabling of the
horses. He was coming on to the gallery from the staircase. A fat, ugly,
German maidservant was passing him, and he--just as another person would
say "Good-day!"--slipped his arm round her waist and kissed her, made a
grimace, and passed on round the gallery towards me.
Public-domain text, read in full here on John Shaqi.
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