The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
That was the feeling with which it inspired me, and I never lingered on
the bridge when I was alone. And I was often alone now, for Joubert,
having extracted my parole d'honneur to be of good behaviour and not get
into mischief or bolt back to Paris, spent most of his time at the
château, where the caretaker had a pretty daughter, or at the cabaret at
Etiolles, Lisette, the old woman who did our cooking and made our beds,
being deputed deputy-gaoler.
The weather had the feeling of early spring, though in the forest, half
stricken by autumn, the leaves were falling--falling to every touch of
the wind. Where the forest of Sénart began, and the woods of the château
ended, the frontier was marked by a thin line of wire easy for a child
to slip under. Then one felt free, free as the cock pheasant whose
corkscrew-sounding voice echoed from the liquid twilight of the drives,
free as the wind in the tree tops. The great pine forest of Lichtenberg
had a voice. You would hear the wind rising and passing over its leagues
of perfumed branches, and dying away, and rising and dying away--ever
the same voice filling and deserting the same vast silence. But here, in
the forest of Sénart, the tongue of the beech spoke a different language
to that of the fir and the larch. There were open spaces, swathes of
sunshine, forest pools like lost sapphires, where the bulrushes painted
their forms on the water-surface, blue with the reflection of the autumn
sky.
These woods, whose echoes had once answered to the hunting-horn of Le
Roi Soleil, were haunted, but not by the ghost of Pan. Rousseau had once
botanised in them, and M. de Jussien, in his coat of ribbed Indian
satin, his lilac silk vest, and white silk stockings of extraordinary
fineness, had here filled his herbal with the vicris hieracioides and
the cerastium aquaticum so dear to his herboristic heart. Pompadour had
wandered where the rabbits played now; and the glades, shot through with
sunlight and draped in the muslin of the morning mist, were the
backgrounds beloved of Fragonnard for his wreaths of flying drapery, his
fêtes champêtres, and his sylvan scenes.
The forest keepers all wore a state uniform. Fanchard, the one who lived
nearest to us, an old soldier and a crony of Joubert's, would take me
with him whilst he set his traps; and there were gypsies that haunted
the clearings, real children of Egypt these, lineal descendants of
Hennequin Dandèche and Clopin Trouillefou.
On the evening of our sixth day at the pavilion, a visitor arrived. It
was my father. He had left his carriage in the road at the gates of the
château, and had come to the pavilion on foot.
Public-domain text, read in full here on John Shaqi.
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