The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
What a triumph! De Morny had been dead and buried nearly four years, yet
his reflection still lingered on the faces of these apes; his voice had
been silent since the orations and muffled drums of that dramatic
funeral, which outvied in splendour the funeral of Germanicus, and which
I had witnessed in company with Père Hyacinthe and the pupils of the
Bourdaloue; yet his voice still was heard in the supper-rooms of Paris,
discussing the length of ballet-girls' skirts and the scandals of
Plon-Plon.
With the fish the conversation became more general, and with the iced
champagne--served from jeroboams that took two waiters to lift--decency
and the ghost of De Morny rose to take their departure.
It was strange to me, a water-drinker, and therefore an observer of the
others, to see these men forgetting themselves, to see languid faces
become flushed, to hear soft voices become harsh, tongues become ribald;
to watch brutal lines asserting themselves in countenances unveiled by
alcohol. And it was surpassingly funny to see the evanescence of the De
Morny air.
At the head of the table, a tint more ruddy than usual, sat my guardian,
enjoying it all.
We had all, like the lunatic guests at the dinner-party of Dr. Tar and
Professor Feather, sat down to table apparently staid and respectable
people, and by degrees, just as lunacy set off the Doctor's guests
crowing like cocks and braying like asses, the spirit of the Second
Empire in its last and rottenest stages invaded the Amber Room of the
Café de Paris. Furious discussions, fumes of spilt wines, wreaths of
cigar and cigarette smoke, the cracked and cruel laughter of women,
filled the air.
* * * * *
And in the midst of it all sat my guardian, in his element, enjoying the
enjoyment of his guests, paternal, and with those childish blue eyes
through which youth looked so frankly, and that voice, so courtly and
well modulated, infecting the others with I know not what. I only know
that from him seemed to emanate the diablerie of the party. Sober as
myself, self-contained and courtly, he seemed like the negative pole of
some diabolical battery, of which the others were the positive.
In the midst of the smoke and chatter he rose, and with a glass of
champagne between two fingers, as a lady holds a lily, he proposed my
health and my success in the world of Paris; and I rose and said
something--foolish, no doubt, but it did not matter, for Amy Féraud, of
the Théâtre Montparnasse, whilst she pelted Prince Metternich with
bonbons, lost her balance, fell smash on her back, pulling the
tablecloth with her, and in the confusion I sat down.
Public-domain text, read in full here on John Shaqi.
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