The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
For the first time, fully, Von Lichtenberg's mad attempt at my
destruction rose before me, and demanded an explanation on another basis
than that of madness. He had brought up his daughter as a boy, for it
had been prophesied that she would be slain as a girl--slain by a
Saluce; and I was the last descendant of that family. Then the picture
of Margaret von Lichtenberg rose before me, and its likeness to little
Carl, and the fact of my own likeness to Philippe de Saluce, who had
murdered Margaret so many years ago; and it was just then, walking down
the Boulevard St. Michel, amidst the crush and turmoil, jostled by
students and grisettes, beggars and thieves, that the question came
before me: "Can the dead return? Has Margaret von Lichtenberg come back
to this sad old world again as little Carl? Am I Philippe de Saluce?"
And then like a pang through my heart came the recollection, the _fact_,
that I had recognised the park of Lichtenberg as a thing I had seen once
before. I had not recognised the Schloss, but even that fact was an
indirect confirmation of my fantastic idea, for the Schloss had been
rebuilt in 1703, and the murder of Margaret had occurred many years
before that.
All these questions and ideas assailing my mind at once brought terror
to my heart for a moment. Only for a moment. "Well?" said I to myself,
"suppose this is true, what then? What is the world around me, dull and
commonplace and sordid, even under its gold and glitter? I have seen the
highest pleasures that life can give men in exchange for gold to-day in
the Amber Salon of the Café de Paris. I have seen an Emperor who has
attained his ambition, and the futility and weariness of it all in his
face. I have lost and left behind the only country where dreams are real
and life worth living--childhood. I love the past; and should it come to
me and surround me with its romance, should some mysterious fate call it
up to me, should the end be tragedy even, then welcome, for one can only
die; and what care I about death if I am given one draught from the
water of romance in this arid desert of commonplace things which they
call the world?"
I walked beside Franzius intoxicated: the woods of Lichtenberg were
around me, the winds of some far-distant day were rocking the trees.
Romance had touched me with her wand. I heard the Hunting-Song, the
horn, the cries of the jägers; and now I was in the gallery of the
Schloss, the sound of the violins was in my ears, the music that was
holding me from death, the ghostly child was plucking at my sleeve. Ah,
God! whoever has tasted the waters of romance like that will never want
wine again.
And then the wand was withdrawn, and I was walking in the Boulevard St.
Michel with Franzius.
CHAPTER XIX
MY FIRST NIGHT IN PARIS (_continued_)
He was holding out his hand timidly, as if to bid me good-bye.
"Oh, but," said I, "we must not part so soon. Can you not come and have
some dinner with me? What are you doing?"
Public-domain text, read in full here on John Shaqi.
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