The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
What a scene! Monkeys, goats, cabbages, pierrots, pierrettes, men in
everyday clothes, girls in dominoes--and very little else--and then,
boom, boom! the band broke into a waltz, and set the whole fantastic
scene whirling. A girl, dressed as a bonbon, danced up to me, nearly
kicked me in the face, and danced off again, seizing a carrot by the
waist and whirling around with him. Too lame to join in the revelry, I
watched, leaning against the wall and feeling horribly alone amidst all
this gaiety.
I was standing like this when a fresh eruption of guests burst into the
room--two men and three girls, all friends evidently, and linked
together arm-in-arm.
It was well I had the wall behind me to lean against, for one of the
girls, a lovely blonde, dressed as a shepherdess, was the Countess
Feliciani!
The woman I had lost my heart to as a child, the woman I had seen
touched by premature old age in the little sitting-room of the Hôtel de
Mayence, the same woman rejuvenated, and turned by some magic wand into
a girl of eighteen, laughing and joyous.
I gazed at this prodigy; and the prodigy, who had unlinked herself from
her companions, was now whirling before me in the waltz, in the arms of
a grenadier with a cock's feather stuck in his hat, and totally
unconscious of the commotion she had raised in my breast.
"You aren't dancing?"
"No," I said. "I'm lame."
She looked at me to see if I were serious or not; then she made a
grimace, and linked her arm in mine. It was the bonbon girl. The dance
was over, and the carrot had vanished to the bar, without, it seems,
offering her refreshment. She had beady, black eyes, a low forehead, and
rather thick lips.
"That's bad," said she, "to be lame. Let us take a stroll." And she led
me towards the bar.
How many times I led that damsel, or rather was led by her towards the
bar during the evening, I can't tell. After every dance she came to me
and commiserated me on my lameness. She was not in great request, it
seems, as a partner, dancing with anybody she could seize upon, and
coming to me, as to a drinking fountain, to allay her thirst. I did not
care. I scarcely heeded. All my mind was absorbed by the girl, the
marvellous girl with the golden hair, who was the Countess Feliciani
reborn.
"Do you know her name?" I asked the bonbon on one of our strolls in
search of refreshment.
"Whose? Oh, that doll with the yellow hair? Know her name? Why, the
whole quarter knows her name. Marie--what's this it is? She's a model at
Cardillac's. A brandy for me, with some ice in it. Hurry up! There's the
band beginning again."
Public-domain text, read in full here on John Shaqi.
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