The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
"All the same," finished he, "I do not quite see the future of this
business. You offer Mademoiselle Feliciani a home, you provide for her,
your intentions are absolutely honourable, yet you do not love her. That
is all very well, mind you. It is somewhat strange in the eyes of the
world, but I understand the position. You are a man of heart and honour,
and she is, so to speak, an old friend; but what is to be the end of
it?"
"I don't know," replied I.
"Just so. She is not a child. It is the nature of a woman to love, to
enter into life. Picking daisies in the woods of Sénart may fill a
summer morning, but not a woman's life. I am not entirely destitute of
the gift of appreciation, the poetry of things is not yet dead for me,
and I can see, my dear Patrique, the poetry of two young people, each
half a child, playing at childhood. But the garment of a child,
beautiful in itself, becomes ridiculous when you dress a man in it.
Impossible, in fact. In fact," finished the old gentleman, suddenly
dropping metaphor and using his stabbing spear, "you are getting
yourself into a position that you cannot escape from with honour; for
even if you wish you cannot marry this girl, for the simple reason that
Paris would not receive her as your wife."
"I do not wish to marry Mademoiselle Feliciani," replied I, "nor does
she dream of marrying me. I found her in wretchedness; I rescued her. I
loved her as a friend. Have men and women no hearts but that they must
sneer at what is natural and good? What is the barrier that divides a
man from a woman so that comradeship seems impossible between them,
simplicity, and all good feeling, including Christian charity?"
"Sex," replied M. le Vicomte de Chatellan.
CHAPTER XXV
FRANZIUS MEETS ELOISE
Next day, when I returned to the Pavilion of Saluce, I took a companion
with me--Franzius.
I called early at his wretched lodging in the Rue Dijon; the sound of
his violin led me upstairs, and I found him, seated on the side of his
bed, playing, his soul in Germany or dreamland.
A day in the country, away from Paris, the houses, the streets! If I had
offered him a day in paradise the simple soul could not have expressed
more delight.
"Well," I said, "it is nine o'clock. We will just have time to catch the
train at Evry. Get ready and come on."
He took his hat from a shelf, placed it on his head, put his violin
under his arm, and declared himself ready.
"But surely you are not taking your violin?"
"My violin--but why not?"
"Going into the country!"
"But why not? Ah, my friend, it never leaves me; without it I am not I.
It is myself, my soul, my heart. Ach!"
"Come on--come on!" I said, laughing and pushing him and his violin
before me. "Take anything you like, so long as you are happy. That's
right--mind the stairs. Don't you lock your door when you go out?"
"There is nothing to steal," replied Franzius simply.
Public-domain text, read in full here on John Shaqi.
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