The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
In the street I hailed a fiacre and bundled the violinist in,
protesting. The mad extravagance of the business shocked him. He had
never been in a fiacre before; even omnibuses were luxuries to this son
of St. Cecilia, who had tramped the continent of Europe on foot. Yet he
wanted to pay when we reached the station; and the return ticket I
bought for him pained his sense of independence so much that I took the
fare from him. Then he was happy--happy as a child; and I do not know
what the other passengers thought of the young beau, elegantly dressed,
seated beside the shabby violinist, both happy, laughing, and in the
highest of spirits; the violinist, unconsciously, now and then plucking
pizzicato notes from the strings of his instrument, caressing it as a
man caresses the woman he loves.
We walked from Evry to Etiolles under the bright May morning, under the
sparkling blue, along the delightful white dusty roads, the larks
singing lustily, and the wind blowing the vanishing hawthorn-blossoms
upon the dust like snow.
Then, at the drawbridge over the moat, Eloise was waiting for us, and we
followed her into the Pavilion, Franzius with his hat crushed to his
heart, bowing, the violin under his arm forgotten, his whole simple soul
worshipping, very evidently, the beautiful and gracious goddess who had
received us.
Ah, that was the day of Franzius's life! We had déjeûner in the little
garden, under the chestnut-tree alight with a thousand clusters of pink
blossom. He forgot his shyness completely, and told us stories of his
wanderings, unconsciously dominating the conversation and leading us
hundreds of miles away from Etiolles to the forests of the Roth Alps and
the Hartz. The great forests of the Vosges, so soon to resound to the
drums of war and the tramping of armies, spread their perfumed shade
around us as we listened. Castle Nidek, whose ruined walls still echo to
the ghostly hunting-horn of Sebalt Kraft; the Rhine and its storeyed
hills; the white roads of Germany; Pirmasens and the Swan Inn, with its
rose-decked porch; mountain rivers, leaping waterfalls, skies
turquoise-blue against the black-green armies of the high mountain
pines--all spread before us, lay around us, domed us in as he talked the
morning into afternoon, and the afternoon half away.
What a gift of description was his; and how we listened as children may
have listened to the story of the wanderings of Ulysses! Then, to forge
his simple chains more completely--to give the last touch to his
magic--he played to us.
Gipsy dances! And you could hear, as the smoke of the camp-fires blew
across the figures of the dancers, the feet of the women and the men who
had wandered all day keeping time on the turf to the tune--a tune wild
as the cry of the mountain kestrel, filled with all sorts of wandering
undertones, heart-snatching subtleties.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account