The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
But it did not. It led to a turret room, with four windows looking
north, south, east, and west. A charming little room, with a painted
ceiling, on which cupids disported themselves with doves.
Faded rose-coloured couches were placed at each window; on a table in
the centre lay some old books, dust on their covers. The view was
superb.
One window showed the forest, another the Seine winding blue through the
country of spring, another the country of fields and gardens, vineyards,
and far white roads.
The smoke of Etiolles made a wreath above the poplar-trees.
We sat down on a couch by the window overlooking Etiolles. We were so
close together that I could feel the warmth of her arm against mine, and
her hand hanging loose beside her was so close to mine that I took it
without thinking. The picture outside, the picture of Nature and the
wind-blown trees over which the larks were carolling and the small white
clouds drifting, contrasted strangely with the room we were in and the
silence of the great empty house. The little hand lying in mine suddenly
curled its little finger around my thumb.
"Eloise!" I said.
She turned her head, her breath, sweet and warm, met my face. Then I
kissed her, not as a brother but as a lover.
CHAPTER XXVII
REMORSE
And I did not love her at all. Nor did she love me. It was just as
though the great tide of Nature had seized us, innocently floating, and
flung us together, drifted us together for a little while, and then let
us part; for we never referred to the matter again after that day.
But a cloud had arisen on my horizon, a cloud no larger than Eloise's
hand.
I installed Franzius at Fauchard's cottage.
He brought his luggage with him, done up in a brown-paper parcel, under
his right arm; under his left he carried his violin. I will never forget
him that afternoon as he stepped from the train at Evry station, where
Eloise and I were waiting to receive him. Such a Bohemian, bringing the
very pavement of Paris with him, the music of Mirlitons, the gaslight of
the Rue Coquenard, and the sawdust of La Closerie de Lilas.
Unhappy man! Paris had marked him for her own. Heaven itself could never
entirely remove from his exterior the stains and the scorching, the
lines around his eyes drawn during the early hours in dancing hall and
café, the bruised look that poverty, hunger, and cold impress upon the
servants who wait upon the Muses--the lower servants, whose place is
the courtyard! But the stains and the scorching had not reached his
soul; like Shadrach he had passed through the burning fiery furnace and
come out a living man.
Besides his luggage and his violin he was carrying some rolls of
music-paper.
Public-domain text, read in full here on John Shaqi.
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