The Drums of WarStacpoole, H. De Vere (Henry De Vere)
History
The Drums of War
Stacpoole, H. De Vere (Henry De Vere)
France -- History -- Second Empire, 1852-1870 -- Fiction
I felt a repulsion towards her whenever the idea of love came into my
mind, with her image. It was as if a man, who, tasting a fruit in a
sudden fit of hunger and finding it nauseous and insipid, were suddenly
condemned to eat of that fruit for ever after, and none other.
And I had the whole of life before me, and I would be tied to a woman
all through life--to a woman I did not love! And the worst part of the
whole business was the fact that I could get out of the whole thing as
easily as a man steps out of a cab--as easily as a man crushes a flower.
And that was what bound me.
To stay in the affair, to be made party to my own social ruin, was the
most difficult business on earth.
Days of argument I spent with myself. The two terrible logicians that
live in every man's brain fought it out; there was no escaping from the
conclusion: "If you have made this girl love you, you must ask her to be
your wife, for under the guise of a brother's friendship you have
treated her just as any of these Boulevard sots and fools would have
treated her. Oh, don't talk of Nature and sudden impulse--that is just
the argument they would use! You did this thing unpremeditatedly, we
will admit. Well, you have your whole life to meditate over the
reparation and to make it. Faults of this description are ugly toys made
by the devil, and they have to be paid for with either your happiness
or your soul. Of course, you can treat her as your mistress; and she,
poor child, tossed already about and bruised by the waves of chance,
would be content. But would you? Would you be content to thrust still
deeper in the mud of life this creature that fate has thrown on your
hands? The powers of darkness have surely conspired against this
unfortunate being. She, a daughter of the Felicianis, has been dragged
in the mire of Paris. Would you be on the side of darkness too?"
That was what my heart said against all the arguments of my head. And so
it remained.
"To-morrow," said I, "I will go to Etiolles, and I will ask Eloise to be
my wife."
That afternoon, walking in the Rue de Rivoli, I saw Franzius--Franzius,
whom I imagined to be at Fauchard's cottage, green leagues away from
Paris! He was walking rapidly. I had to run to catch him up; and when he
turned his face I saw that he was in trouble. He was without his violin.
"Why, Franzius," I cried, "what are you doing here, and what ails you?
Have you lost your violin?"
"Oh, my friend!" said Franzius. "What ails me? I am in trouble. No, I
have not lost my violin, I have forgotten it--it has ceased to be, for
me. Ah, yes, there is no more music in life! The birds have ceased
singing, the blue sky has gone--Germany calls me back."
"Good heavens!" I said. "What's the matter? You haven't left Etiolles
for good, have you?"
"Oh, no! I am going back for a few days. I came to Paris to-day to seek
relief--to hear the streets--to forget----"
"To forget what? Come, tell me what has happened."
Public-domain text, read in full here on John Shaqi.
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