English drama -- 19th century; Padua (Italy) -- Drama; Revenge -- Drama; Tragedies (Drama)
Revenge!
I think I never harmed a little child.
What should Revenge do coming to my door?
It matters not, for Death is there already,
Waiting with his dim torch to light my way.
’Tis true men hate thee, Death, and yet I think
Thou wilt be kinder to me than my lover,
And so dispatch the messengers at once,
Harry the lazy steeds of lingering day,
And let the night, thy sister, come instead,
And drape the world in mourning; let the owl,
Who is thy minister, scream from his tower
And wake the toad with hooting, and the bat,
That is the slave of dim Persephone,
Wheel through the sombre air on wandering wing!
Tear up the shrieking mandrakes from the earth
And bid them make us music, and tell the mole
To dig deep down thy cold and narrow bed,
For I shall lie within thine arms to-night.
END OF ACT II.
* * * * *
ACT III
SCENE
_A large corridor in the Ducal Palace_: _a window_ (_L.C._) _looks out on
a view of Padua by moonlight_: _a staircase_ (_R.C._) _leads up to a door
with a portière of crimson velvet_, _with the Duke’s arms embroidered in
gold on it_: _on the lowest step of the staircase a figure draped in
black is sitting_: _the hall is lit by an iron cresset filled with
burning tow_: _thunder and lightning outside_: _the time is night_.
[_Enter_ GUIDO _through the window_.]
GUIDO
The wind is rising: how my ladder shook!
I thought that every gust would break the cords!
[_Looks out at the city_.]
Christ! What a night:
Great thunder in the heavens, and wild lightnings
Striking from pinnacle to pinnacle
Across the city, till the dim houses seem
To shudder and to shake as each new glare
Dashes adown the street.
[_Passes across the stage to foot of staircase_.]
Ah! who art thou
That sittest on the stair, like unto Death
Waiting a guilty soul? [_A pause_.]
Canst thou not speak?
Or has this storm laid palsy on thy tongue,
And chilled thy utterance?
[_The figure rises and takes off his mask_.]
MORANZONE
Guido Ferranti,
Thy murdered father laughs for joy to-night.
GUIDO [_confusedly_]
What, art thou here?
MORANZONE
Ay, waiting for your coming.
GUIDO [_looking away from him_]
I did not think to see you, but am glad,
That you may know the thing I mean to do.
MORANZONE
First, I would have you know my well-laid plans;
Listen: I have set horses at the gate
Which leads to Parma: when you have done your business
We will ride hence, and by to-morrow night—
GUIDO
It cannot be.
MORANZONE
Nay, but it shall.
GUIDO
Listen, Lord Moranzone,
I am resolved not to kill this man.
MORANZONE
Public-domain text, read in full here on John Shaqi.
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