The Duchess of Rosemary Lane: A NovelFarjeon, B. L. (Benjamin Leopold)
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The Duchess of Rosemary Lane: A Novel
Farjeon, B. L. (Benjamin Leopold)
English fiction -- 19th century
"You shall not leave the room till I am asleep. Marry whom you like
except my nephew. If he marries you he is a beggar by it. I am tired
of talking. I will take my medicine."
She empties the glass, and sinks back on her pillow. The medicine is
an opiate, but even while she yields to its influence, she continues
to murmur, in a tone so low that only Nelly now can hear her.
"Marriage, indeed! As if he means it, and as if, meaning it even, he
dared to thwart me! A pair of fools! They will rue the day!"
Thus she mutters until sleep overpowers her, and she takes her theme
with her into the land of dreams.
Mr. Temple steals from his hiding-place.
"She is in a sweet temper," he says in a whisper, placing his hands on
Nelly's shoulders, and drawing her to him. "I was very nearly coming
forward and spoiling everything; but I couldn't afford to do it.
Nelly, I want to know about that gardener's son."
She yields to his embrace for a moment, then draws away.
"I can tell you nothing now. Go, for my sake, lest she should awake."
"For your sake, then. Do not forget. In an hour, by the brook."
"I ought not to come."
"You have promised," he says, in a louder tone.
"Hush--hush!" she entreats. "Yes, I will come."
Before the hour has passed, he has appeased his hunger, and is
standing by the brook, waiting for Nelly. The night is most peaceful
and lovely, and Mr. Temple, as he smokes his cigar, pays homage to it
in an idle way, and derives a patronising pleasure from the shadows in
the starlit waters. His thoughts are not upon the graceful shapes,
although his eyes behold them. What, then, does he see in their place?
Do the floating reflections bear a deeper meaning to his senses than
they would convey under ordinary conditions? Does he see any
foreshadowing of the future there? No. His thoughts are all upon the
present, and what he beholds is merely tinged with such poetry as
springs from animal sentiment. He may trick himself into a finer
belief, but he cannot alter its complexion. He is in an ineffably
pleasant mood, and his pulses are stirred by just that feeling of
pleasurable excitement which sheds a brighter gloss on all surrounding
things. At the sound of a step behind him he smiles and his heart
beats faster. "It is Nelly," he whispers. But when he turns, and
confronts the gardener's son, the smile leaves his face.
"I ask your pardon, sir," says the young man, "can I have a word with
you?"
"Ah!" says Mr. Temple, with a look of curiosity at the young fellow,
"you are the gardener's son."
"Yes, sir."
Mr. Temple regards the intruder attentively, and says, rather
haughtily:
"You have selected a singular time for a conference."
"I must speak to you now, sir."
"Must?"
"If you please, sir."
"By-and-by will not do?"
"By-and-by may be too late, sir."
Mr. Temple looks at the gardener's son still more earnestly.
"Attend to what I am about to say, young man. You have lived all your
life at Springfield, I believe?"
"I was born here, sir."
Public-domain text, read in full here on John Shaqi.
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