The Duchess of Rosemary Lane: A NovelFarjeon, B. L. (Benjamin Leopold)
General
The Duchess of Rosemary Lane: A Novel
Farjeon, B. L. (Benjamin Leopold)
English fiction -- 19th century
But what excited the greatest curiosity and the most frequent comment
was the strange fancy which possessed her of seeking out young girls
who were sweethearting, and voluntarily rendering them just that kind
of service which they were likely most to value--ministering to their
innocent vanities in a manner which they regarded as noble and
generous. Mrs. Lenoir was a cunning needlewoman, and in the cutting
out of a dress had no equal in the neighbourhood. She possessed, also,
the art rare among Englishwomen, of knowing precisely the style,
colours, and material which would best become the girl she desired to
serve. To many such Mrs. Lenoir would introduce herself, and offer her
services as dressmaker, stipulating beforehand that she should be
allowed to work for love, and not for money. The exercise of this
singular fancy made her almost a public character; and many a girl who
was indebted to her, and whose wooing was brought to a happy
conclusion, endeavoured gratefully to requite her services by pressing
an intimacy upon her. Mrs. Lenoir steadily repelled every advance made
in this direction. She gave them most willingly the work of her hands,
but she would not admit them to her heart, nor would she confide her
sorrows to them. She received their confidences, and sympathised with
and advised them; but she gave no confidence in return.
Had they been cognisant of the life that was hidden from them, they
might have declared her to be mad. This silent, reserved, and
strangely-kind woman was subject to emotions and passions which no
human eye witnessed, which no human breast shared. In the solitude of
her poorly-furnished attic, she would stand motionless for hours,
looking out upon the darkness of the night. At these times, not a
sound, not a movement escaped her; she was as one in a trance,
incapable of motion. And not unlikely, as is recorded of those who lie
in that death-like sleep, there was in her mind a chaos of thought,
terrible and overwhelming. It was always in the night that these moods
took possession of her. It was a peculiar phase of her condition that
darkness had no terrors for her. When dark shadows only were visible,
she was outwardly calm and peaceful; but moonlight stirred her to
startling extravagances. She trembled, she shuddered, her white lips
moved convulsively, she sank upon her knees, and strove, with
wildly-waving hands, to beat away the light. But she was dominated by
a resistless force which compelled her to face the light, and draw
from it memories which agonised her. The brighter and more beautiful
was the night, the keener was her pain, and she had no power to fly
from it. If she awoke from sleep, and saw the moon shining through the
window, she would hide her eyes in the bedclothes, with tears and sobs
that came from a broken heart, and the next moment her feeble hands
would pluck the clothes aside, so that she might gaze upon the
peaceful light which stabbed her like a knife. She was ruled by other
Public-domain text, read in full here on John Shaqi.
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