The Duchess of Rosemary Lane: A NovelFarjeon, B. L. (Benjamin Leopold)
General
The Duchess of Rosemary Lane: A Novel
Farjeon, B. L. (Benjamin Leopold)
English fiction -- 19th century
influences, scarcely less powerful. Moonlight shining on still waters;
certain flowers; falling snow--all these terribly disturbed her, and
aroused in full force the memories which tortured her. Had her
neighbours witnessed her paroxysms on on these occasions, they would
have had the fairest reason for declaring that Mrs. Lenoir was mad.
She lived entirely out of the world; read no newspapers; played a part
in no scandals; and the throbs of great ambitions which shook thrones
and nations never reached the heart, never touched the soul of this
lonely woman, who might have been supposed to be waiting for death to
put an end to her sorrows.
A few weeks after she had made Lizzie's dress, Mrs. Lenoir was sitting
as usual alone in her room. She was not at work; with her hand
supporting her face, she was gazing with tearful eyes upon three
pictures, which she had taken from a desk which stood open on the
table. This desk was in itself a remarkable possession for a woman in
her position in life. It was inlaid with many kinds of curious woods,
and slender devices in silver; it was old, and had seen service, but
it had been carefully used. The three pictures represented sketches of
a beautiful face, the first of a child a year old, the second the
child grown to girlhood, the third the girl grown to womanhood. The
pictures were painted in water-colours, and the third had been but
recently sketched. Over the mantelshelf hung a copy of this last
picture, which--as was the case with all of them--though the hand of
the amateur was apparent, evidenced a loving care in its execution.
Long and with yearning eyes did Mrs. Lenoir gaze upon the beautiful
face; had it been warm and living by her side, a more intense and
worshipping love could not have been expressed by the lonely woman.
The striking of eight o'clock from an adjacent church roused her; with
a sigh that was like a sob, she placed the pictures in her desk, and
setting it aside, resumed the needlework which she had allowed to fall
into her lap.
Winter had come somewhat suddenly upon the city, and snow had fallen
earlier than usual. One candle supplied the room with light, and a
very small fire with warmth. For an hour Mrs. Lenoir worked with the
monotony of a machine, and then she was disturbed by a knock at the
door. She turned her head, but did not speak. The knock was repeated,
and a voice from without called to her.
"Are you at home, Mrs. Lenoir?"
"Yes, Lizzie."
"Let me in."
"I will come to you."
Mrs. Lenoir went to the door, which was locked, and, turning the key,
stepped into the passage.
"Well, Lizzie?"
"But you must let me in, Mrs. Lenoir. I want to tell you something,
and I can't speak in the dark."
"Lizzie, you must bear with my strange moods. You know I never receive
visitors."
"To call me a visitor! And I've run to tell you the very first! Mrs.
Lenoir, I have no mother."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account